Posts Tagged Kidnapping

#BookBlast “Moon Games” by Shelly Frome

November 6, 2018 Book Blast

Synopsis:

The Secluded Village Murders by Shelly Frome

At the outset, Miranda Davis has nothing much going for her. The tourists are long gone by October in the quaint Carolina town of Black Mountain, her realty business is at a standstill, and her weekend stint managing the local tavern offers little to pull her out of the doldrums. When prominent church lady Cloris Raintree offers a stipend to look into the whereabouts of a missing girl hiker on the Q.T, Miranda, along with her partner Harry (an unemployed features writer) agree.

But then it all backfires. A burly figure shambles down a mountain slope with a semi-conscious girl draped over his shoulder. Miranda’s attempts to uncover Cloris Raintree’s true motives become near impossible as she puts up one smokescreen after another, including a slip of the tongue regarding an incident in Havana. The local police keep stonewalling and Harry is of little help.

Tarot cards left on Cloris’ doorstep and arcane prompts on her e-mail only exacerbate the situation. Growing more desperate over the captive girl’s fate, Miranda comes across a link to a cold case of arson and murder. With the advent of the dark of the moon, she is summoned to “Tower Time” as this twisty tale continues to run its course.

Book Details:

Genre: Mystery, Amateur Detective
Published by: Milford House
Publication Date: August 2018
Number of Pages: 264
ISBN: 1620061848
Purchase Links: Amazon | Goodreads

Kindle Unlimited

Read an excerpt:

The wind picked up yet again, joined by spatters of cold rain and the rustle of leaves from the encircling shrub.

All at once, the lantern flicked off, a scream cut through the wind and spatters. The cries became muffled, replaced by the grunts of a hulking figure clambering up the knoll, coming directly toward him with something writhing and flailing over its back.

For one interminable moment, he caught sight of her eyes, frozen, terrified, beseeching him.

Reflexively, despite every decent intention deep in his bones, Harry dropped the Maglite, turned and ran down the slope, tripping and stumbling, falling to his knees, righting himself, smacking into a brush that scraped his cheek. Rushing headlong now, smacking into more brush and banging his elbow, he kept it up, twisted his ankle but hobbled forward fast as he could until he reached his station wagon. Squirming behind the wheel, he fumbled for his keys, dropped them on the mat, groped around, snatched them up, grinded the ignition, set both front and back wipers going and shot forward hitting the trunk of a tree. He backed up into the hedgerow, turned sharply, not daring to flip on the headlights, scraped another tree and slid onto the narrow lane.

He switched on the low beams so he could see where he was going in the drizzle and fog and began making his way down. Dull headlight beams flashed behind his rear window and faded.

With his mind racing and the wipers thwacking away as the rain lashed across the windshield, he careened down the zig-zagging lane and thought of the car that was wedged under the branches parked on a downward angle and the hulking figure carrying his prey over his shoulder shambling toward it. And her eyes, those beseeching eyes.

He might have a few seconds lead before the girl was tossed in the trunk . . . or deposited in the cottage while the driver lying in wait exchanged signals and went after him. So many what-ifs? while some cowardly part of him only wanted a place to hide.

Then the dull, low beams flicked on again, glinting on his rearview mirror.

Straining to see through the wipers and beads of rain, he turned off down Sunset, then onto a flat, darkened stretch, then gunned it through an amber light over the tracks across brightly lit Route 70.

He drove away from the tracks where the girl doubtless had been tailed, came upon a T and swerved left onto a sign that said Old Route 70. In no time, he spotted a Grove Stone Quarry, but the gates were closed and he could swear the low beams tailing him flicked on again. If only he could stop veering all over the place, if he could get behind those humongous mounds of sand and stone.

Ignoring the traffic light, he cut to his right and swerved up a road bordered by a high wire fence demarcating a prison facility, sped past until he was hemmed in by walls of white pine. The walls of pine were intersected by for-sale arrows and a bright red banner. He killed his headlights altogether, swerved again into a cluster of model homes that formed a cul-de-sac, and coasted to a stop as the car stalled.

He got out and followed an exposed drain pipe that angled down until it cut off at a rain-slick paved drive onto a neighborhood of two-story houses, porch lights and street lamps.

His ankle gave way again as he became fixated on circling back to that massive, enclosed hiding place where he could try to get his bearings.

The cold rain beat down harder. Though the Blue Ridge range hovered in the near distance, it was shrouded in mist and offered no comfort.

***

Excerpt from Moon Games by Shelly Frome. Copyright © 2018 by Shelly Frome. Reproduced with permission from Shelly Frome. All rights reserved.

 

Shelly Frome

Author Bio:

Shelly Frome is a member of Mystery Writers of America, a professor of dramatic arts emeritus at the University of Connecticut, a former professional actor, a writer of crime novels and books on theater and film. He is also a features writer for Gannett Media. His fiction includes Sun Dance for Andy Horn, Lilac Moon, Twilight of the Drifter, Tinseltown Riff, and Murder Run. Among his works of non-fiction are The Actors Studio and texts on the art and craft of screenwriting and writing for the stage. Moon Games is his latest foray into the world of crime and the amateur sleuth. He lives in Black Mountain, North Carolina.

Catch Up With Our Author On:
Website, Goodreads, & Twitter!

 

Tour Participants:

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Giveaway!:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Shelly Frome. There will be 1 winner of one (1) Amazon.com Gift Card. The giveaway begins on November 6, 2018 and runs through November 14, 2018. Void where prohibited.

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“Naked Truths (Naked, a Romantic, Mystery, Thriller and Suspense Series Book 1)” by Karen Botha

Naked Truths cover

Naked Truths (Naked, a Romantic Mystery, Thriller and Suspense Series Book 1)

by Karen Botha

Genre: Mystery, Thriller, & Suspense/Kidnapping/Vigilante Justice

PreOrder – 99¢ at time of posting! Kindle Unlimited! Releases November 12, 2018

He’s a grieving widower, the perfect boyfriend, and the prime suspect…

Lucy knows the importance of boundaries. As a massage therapist, she keeps her work and her personal life completely separate. But when a handsome widower shows up on her table and sparks an instant attraction, Lucy is shameless. Breaking her rule, she crosses the line, triggering a series of thrilling mysteries.

Paula isn’t so sure about her best friend’s perfect man… or the story of his wife’s death. To uncover the truth, the former detective infiltrates his social circle. When she examines a scandalous lodger, a jealous brother, and a protective mother-in-law, everyone seems to have a hidden motive for murder…

Lucy is torn between her old friend and her dark new love. Will she follow her head or her heart? And can Paula discover the true killer before her friend makes a fateful mistake?

Naked Truths is the first book in a series of pulse-pounding romantic mystery, thriller and suspense series. If you like the odd steamy scene, complex characters, and twists you won’t see coming, then you’ll love the suspense of Karen Botha’s gripping romantic suspense book.

Buy Naked Truths to discover the twisted truth today!

The rest of the Naked Series of gripping mystery, thriller and suspense romances can be read as standalones or as part of the series and are free on Kindle Unlimited.

 

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“The Gift Boxset: A Gripping Paranormal Mystery” by J.S. Donovan

The Gift Boxset cover

The Gift Boxset: A Gripping Paranormal Mystery

by J.S. Donovan

Genre: Thriller/Suspense/Crime Fiction/Kidnapping/Horror

99¢ at time of posting! Kindle Unlimited!

An unputdownable gripping paranormal mystery with a brilliant twist!

Best-selling Mystery author J.S Donovan brings you the complete collection of the highly-rated “Rachel Harroway” Series. These stories have accumulated over 300 five-star reviews and have been boxed together for the first time!

The Highland Murders

Rachel Harroway, a homicide detective with the ability to see the dead, balances the responsibilities of being a mother alongside her life’s calling to guide orphaned spirits home. Teaming up with her long time homicide partner Jensen Peak, she hunts for the latest crafty killer to strike in her little corner of the Appalachian Mountains. The investigation gets personal when her adopted daughter enters the crosshairs. How far will Rachel go to protect her own? How much will she be willing to give up?

The Haunting of Rachel Harroway

In 1983, a family of four was murdered in their nineteenth century Queen Anne manse. There were no witnesses, no real investigation, and no survivors.

Over thirty years later, the house is suddenly back on the market. Ready to settle down, a young married couple moves from New York City to their dream home in the quiet town of Highlands, North Carolina. However, as past secrets come to light and unpredictable strangers violate their privacy, the couple’s hope for a fresh start twists into the fuel for their darkest nightmares.

The Lost Orphans

A murder twenty-five years forgotten, a female detective with the ability to communicate with the dead, and a killer without boundaries clash in the heart of winter.

It’s Christmas, and there’s been another murder. Rachel Harroway, a homicide detective gifted in the arts and communication with the dead, tracks a serial killer lurking in the shadows for the last twenty-five years. The closer Rachel gets to solving the mystery, the more the unforgiving Appalachian winter weather and supernatural energies push back, forcing Rachel to decide how far she’ll go for a man society has forsaken.

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#Review “A Fatal Obsession” by James Hayman

A Fatal Obession by James Hayman

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5/5 Stars!

Three young women reported missing—two already found murdered—and now promising starlet, Zoe McCabe is missing. Is she the fourth victim of the killer the media has dubbed the Star-Struck Strangler?

Will it make any difference that Zoe’s uncle is Detective Sergeant Michael McCabe, formerly of NYPD but now a cop in Portland, Maine?

Will Mike’s distinguished career with NYPD that ended under questionable circumstances bar him from helping with his niece’s kidnapping?

You must read the book to find these answers, and trust me, you want to read this book!

A late-night call from big brother, Bobby, brings Mike back to NYC. A nasty fall and early on-set pneumonia will take their elderly mother, Rose McCabe, from them. Mike returns with his partner (and brand new fiancée), Margaret ‘Maggie’ Savage, to say goodbye. They discover Zoe’s abduction after Bobby cannot reach her to let her know about Rose.

It’s cops against the clock to find Zoe before the killer works through his usual M.O. leaving a dead body in his wake.

A Fatal Obsession is a tightly written police procedural. Mike reconnects with old friends and alliances just as new lines are drawn in the sand. However, even with some rivalries still uneasy despite the passage of time, there’s only a hint of cops-behaving-badly—although two attorneys are way too full of themselves.

Told in multiple POVs, the reader gets to watch the investigation unfold and get inside the head of kidnapper, Tyler Bradshaw.

Bradshaw is no choir boy but even as he plays the role of kidnapper, murderer, bully, and forced paramour, it’s hard not to feel sympathy for him, if only just a little. He’s not everything he seems and before the story’s end, the depth of his true pain is revealed.

But it’s Zoe McCabe who wins favorite character honors from me.

She’s living a young woman’s worst nightmare—drugged, kidnapped, assaulted, beaten—yet, she keeps her wits about her. The young actress will play a variety of roles to get inside Tyler’s head searching for a connection… or weakness, and a way to escape.

Zoe has every reason to be weepy and hopeless. Tyler holds the power of life and death over her but she will not make it easy for him. Kudos to the author for such a strong female character who’s anything but a victim.

This is the first book I’ve read by this author but it will not be the last. Mike McCabe and Maggie Savage have other stories to tell, and yes, I’ve already downloaded one. But, you should grab this one—it’s a great place to start!

Enjoy!

Paperback version reviewed.

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Synopsis:

A Fatal Obession by James Hayman

“James Hayman’s edgy, ingenious novels rival the best of Lisa Gardner, Jeffery Deaver, and Kathy Reichs. A Fatal Obsession is his finest to date: a ferocious live-wire thriller starring two of the most appealing cops in contemporary fiction.” —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window

Zoe McCabe is a beautiful young actress on the verge of stardom who has been basking in the standing ovations and rave reviews she’s been getting from critics and fans alike for her portrayal of Desdemona in an off-Broadway production of Othello. As she takes her final bows, Zoe has no idea that, seated in the audience, a man has been studying her night after night, performance after performance. A man whose carefully crafted plans are for the young actress to take a starring role in a far deadlier production he has created just for her.

Portland, Maine detectives Mike McCabe and Maggie Savage are settling into the new rhythm of their relationship when McCabe gets a late night call from his brother Bobby that Zoe, McCabe’s favorite niece and Bobby’s daughter, has suddenly disappeared. The NYPD is certain Zoe’s abduction is the work of the man the tabloids have dubbed “The Star Struck Strangler,” a killer who has been kidnapping, abusing and finally strangling one beautiful young performer after another. Bobby begs McCabe to return to the New York City crime beat he’d left behind so many years ago, to work his old connections, and to help find Zoe before her time runs out. The stakes for McCabe and Savage have never been higher. Or more personal. And suddenly the race is on to stop a vicious attacker, before the McCabe family is torn apart beyond repair.

 

Book Details

Genre: Mystery, Thriller
Published by: Witness Impulse
Publication Date: Aug. 21, 2018
Number of Pages: 432
ISBN: 9780062876676
Series: McCabe and Savage Thrillers #6
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Read an excerpt:

Prologue

The worst thing about the rage was its randomness. Tyler Bradshaw never knew what might trigger one. A tone of voice. A look. An innocent or perhaps a not so innocent remark. Tonight he could feel it starting to build just seconds after he’d begun walking down the center aisle of the small McArthur/Weinstein Community Theater on Manhattan’s Lower East Side.

Having attended all eleven previous performances in this limited-run production of Othello, Tyler knew exactly where he wanted to sit for tonight’s finale. The same seat he’d occupied for every performance so far. The same seat he was going to sit in tonight no matter what. A12. On the aisle. Front row. Right-hand side. By far the best seat in the house in terms of offering him the most intimate view of the death of Zoe McCabe, the young actress cast in the role of Desdemona.

This would be Tyler’s last chance to watch the woman he wanted so desperately, the woman who’d been haunting his dreams for months, meet death at the hands of Randall Carter, the well known black actor who was playing Othello the Moor. And if all went according to plan, this closing night would become opening night for a much more intimate relationship.

But Tyler had taken only a few steps down the aisle when he was stopped short by the sight of some son of a bitch sitting in his seat. The theater was practically empty, and some asshole had actually had the nerve to plant his butt in the seat Tyler claimed as his own. He stood for a few seconds watching the guy as the anger grew. Some skinny twerp with a shaved head and black-framed hipster glasses leaning over and talking to the woman next to him as if unaware of his transgression. Tyler barely managed to suppress an urge to run down the nearly empty aisle to the first row, pull the guy up by his ears and kick the shit out of him right then and there.

Take it easy, Tyler told himself. Don’t start a fight. Don’t cause a scene. Don’t get your ass thrown out of here. Do that and you’ll miss Zoe’s final death scene, and you really don’t want to do that. Still, when something he so desperately wanted was denied him, when something he considered rightfully his was withheld or taken away, Tyler found it nearly impossible to suppress the anger filling his brain. But he knew he had to try. Taking a deep breath, he managed to walk at a measured pace the rest of the way down the aisle. He stopped and stood directly in front of the guy in A12. He looked down. “Sorry, buddy,” he said in a voice filled with no more than a hint of threat, “you and your girlfriend are gonna have to move. This seat’s taken.”

“I beg your pardon,” the guy said in what Tyler thought was a condescending tone. Tyler hated it when people condescended to him. New York was full of them. It was one of the reasons he really didn’t like spending time in the city even though he’d been born here. Even though he still kept an apartment here. Even though he’d worked three years at his uncle’s fancy Wall Street law firm. That job had gone down the crapper the day Tyler totally lost it when one of the other associates had condescended to him. Told Tyler in front of like ten other people that the only reason the firm had hired Tyler was because his uncle happened to be managing partner. Tyler reacted by slugging the guy right then and there in front of six other lawyers. Knocked the bastard flat on his ass. Then followed up with a kick to the gut. A deliciously satisfying kick even though it marked the end of his legal career. The only reason Tyler hadn’t been charged with assault was that his uncle convinced the other guy his own career would go much better if he simply forgot about the whole thing. Tyler still got pissed off when he thought about that asshole.

“You heard me,” Tyler said to the guy who’d taken his seat, making sure he kept his voice quiet and controlled. “You’re sitting in my seat. This has been my seat for the last two weeks. The entire run. And it will continue to be my seat for tonight. That means it’s time for you to tell me how sorry you are and get up and move.”

Condescension changed to huffiness. “I don’t know who you think you are but there’s no reserved seating in this theater. We took these seats first. That means they’re ours. There’s plenty of empty seats all over the place. Just take one of those and leave us the hell alone.”

“This is my seat and you are going to have to move.”

For exactly twenty-three seconds the guy said nothing. Tyler knew it was twenty-three without having to consult his watch. It was this brain thing he’d had ever since the so-called accident. He always knew precisely to the second what time it was and precisely how much time was passing. Just as he knew how many steps it would take to get from one place to another without having to think about it. It hadn’t always been that way. Just since his old man had tossed him headfirst into the shallow end of the swimming pool at their country place when he was fourteen and he’d bashed his head against the concrete. That’s when the rage problems started as well.

For the entire time, the guy just sat where he was and looked up at Tyler. Maybe he was debating whether to challenge someone who, at six foot three and two hundred and twenty pounds, was way the hell bigger than he was.

Tyler was getting closer to hoisting the guy out of the seat and tossing his skinny little ass out into the aisle. Which would have ruined everything. Thankfully, one second before he would have done just that, the guy’s wife or girlfriend or whatever she was, broke the impasse.

“Come on, Richard,” she said. “Let’s move. I don’t like being this close to the stage anyway.”

“I oughtta call the police,” said Richard.

“Call whoever the fuck you want, Richard. Just get your ass out of my seat.”

“Richard. Please,” said the woman. “This guy’s unhinged.”

“Yeah, Richard, I’m unhinged,” said Tyler, putting as much menace in his voice as he could.

“And if you want to know the truth, I’m getting more fucking unhinged by the second.”

The woman rose, took Richard’s hand and pulled. “Please,” she said.

The guy finally stood. No doubt relieved not to have to confront someone as big and angry-looking as Tyler. But, Tyler figured, also ashamed that he lacked the cojones to stand up to the bully who’d shamed him in front of his girlfriend. A lot of people responded to Tyler that way. He usually enjoyed it when they did. He especially liked it when people backed down and did exactly what he told them to. Which was most of the time. Most people were too chicken-shit to stand up for themselves.

Tonight was no different. The guy named Richard picked up a canvas messenger bag from the floor and let the woman lead him across to the other side of the small auditorium, where they found seats a couple of rows back. Tyler watched them go. Neither looked back at him. Neither noticed the small, satisfied smile he threw at them. Confrontations that ended like this and the adrenaline rush that came with them always made him feel better.

Before sitting down, Tyler unzipped his backpack, pulled a pair of latex gloves from the package he’d put in there, and put them on. Then he took out a packet of antibacterial wet wipes and used three of them to wipe down the seat, the backrest and the arms before easing his large frame down into seat A12. His seat. That done, he closed his eyes and focused on breathing deeply in and out. Pictured the rage that had come from the confrontation slowly dripping out of him, drop by drop, like water from a leaky faucet. That’s what Dr. Steinman, the therapist he started seeing a year after the swimming pool incident, had taught him to do when he felt this way. He watched the drops falling . . . exactly one drop per second . . . and knew without counting that one hundred and forty-four drops had fallen before he’d totally emptied himself of the anger and felt calm enough to open his eyes.

Tyler had another twenty-one minutes and twelve seconds to wait before scheduled curtain time. Maybe even more minutes and seconds before the curtain actually went up, because they never seemed to get the timing right. To pass the time he popped a couple of sticks of Juicy Fruit gum in his mouth and started chewing. Then he pulled a week-old copy of the New York Daily News from his backpack and unfolded it. He stared for what had to be the hundredth time at the banner headline, the big black letters seeming to leap out at him from the front page. StarStruck Strangler Strikes Again. He wondered if that was just one headline or if that was the nickname they were going to give the killer. He wondered if the name would stick. Tyler thought about it. Star-Struck Strangler wasn’t nearly as interesting as, say, Son of Sam. Though it was, he supposed, equally alliterative. Both had multiple S’s, which had always been one of Tyler’s favorite letters. He repeated the headline to himself. Star-Struck Strangler Strikes Again. Four ST words in a row. Tyler preferred S words when they were followed by L’s. Words like slasher. Slimy. Sleazy. Slippery. Slinky. Slick. Slutty. Yes, SL words were much better than ST words. His favorite SL word, slithy, wasn’t a real word at all. Just something made up by Lewis Carroll. ‘Twas brillig, and the slithy toves / Did gyre and gimble in the wabe. Wonderful creepy-crawly sounds.

Beneath the headline that dominated the front page was a subhead set in slightly smaller black type. It read, Missing Ballerina Found Murdered on Beach. No alliteration there unless you counted the M’s in Missing and Murdered and the B’s in Ballerina and Beach, and Tyler didn’t think that really counted. Tucked next to the headline and subhead was a color photo of an attractive young blonde, her hair pulled back in a bun, smiling at the camera. A happy smile, he thought, for a woman who’d turned up dead over a week ago. Tyler flipped open the tabloid and read full the story once again:

Friday, October 2, 2015. The body of 21-year-old Sarah Jacobs, a dancer with the New York City Ballet who had been reported missing two weeks earlier on September 15, was discovered late last night lying in a shallow, sandy grave on a stretch of beach in Sherwood Island State Park., The beach is located on the Long Island Sound in the affluent suburb of Westport, Connecticut.

Investigators say Ms. Jacobs’s body was discovered at approximately six a.m. by Westport resident Edward Todd. Todd told police he was walking his dog on the beach as he does every morning, when the dog raced ahead and started sniffing at something in the sand. When Mr. Todd was close enough to see it was the remains of a human body, he immediately dialed 911 on his mobile phone and informed Westport police, who arrived moments later. After identifying the body, Westport detectives notified the NYPD, which had been searching for Ms. Jacobs since her disappearance.

The victim, Sarah Jacobs, was a well-regarded dancer who was considered a rising star with the New York City Ballet. According to police sources, the victim’s body, when found, was wearing a black leotard and black ballet slippers, an outfit identical to the one she wore on stage during her last performance at Lincoln Center on September 12, three days prior to her disappearance. Her hair was also arranged identically to the way it had been during the performance.

Ms. Jacobs was the daughter of prominent Broadway producer Frederick Jacobs and Chelsea art dealer Marjorie Hanscomb Jacobs. Both parents refused to comment on the discovery of their daughter’s body. André Komar, the company’s ballet master, told reporters, “Sarah was an exceptionally gifted young dancer with a bright future ahead of her. All of us who knew and worked with her here at the New York City Ballet are grieving along with her parents. This is a real tragedy and we will all miss her enormously.”

Assistant New York City Medical Examiner Dr. Peter Weisman told reporters the apparent cause of death was strangulation. He also said the body was badly bruised and there were clear signs that Ms. Jacobs had been sexually assaulted prior to death. Her body is scheduled to be autopsied by the Office of the Chief Medical Examiner to determine, among other things, time of death and if strangulation was indeed the cause.

The victim has been the subject of an intense New York Police Department manhunt ever since her disappearance. She was last seen leaving a private party at the Museum of Modern Art in Manhattan on the evening of September 15th. Her father told reporters she left the party early after complaining of feeling “queasy” and said that she was going to take a cab home to her Greenwich Village apartment.

Ms. Jacobs is the third young member of New York’s performing arts community to have disappeared from Manhattan since the beginning of the year. The body of an earlier victim, Ronda Wingfield, 28, an actress who appeared frequently in musical productions in Manhattan and elsewhere, was discovered last May 19th in a wooded section of Manhattan’s Highbridge Park.

A third performer, actress Marzena Wolski, who also lived in Manhattan and who, for the last two years, had a starring role in the TV crime drama Malicious, was reported missing September 28th. Police have reportedly found no clues as to Ms. Wolski’s whereabouts.

When asked if police believed the three kidnappings and two confirmed deaths were the work of a serial killer, the NYPD’s chief of detectives, Charles Pryor, told reporters, “While we can’t be absolutely sure at this point in the investigation, given the obvious similarities in the choice of victims, all of whom performed on television or on stage, as well as similarities in the cause and manner of death of the two victims found so far, we are fairly certain that that is the case.” Pryor added, “There are currently no suspects but we are hopeful that the discovery of Ms. Jacobs’s remains will provide some relevant leads.”

Tyler reread the article a couple of times even though he already knew it pretty much by heart, as he did just about everything else that had been published about the kidnappings and murders. He then turned back and examined the front-page photo of Sarah Jacobs. With her long, narrow face, Sarah wasn’t really all that pretty. At least not compared to Zoe McCabe. For Tyler Bradshaw, there was no one who could compare to Zoe.

Tyler finally returned the paper to his backpack, relaxed in his seat and waited patiently until the curtain rose, and Roderigo and Iago entered a bare-bones version of a sixteenth-century Venetian street. Tyler watched the beginning of the play with minimal interest. It wasn’t Iago or Roderigo he’d come for. Tyler’s only reason to sit through this part of the play over and over again was to make sure he got the right seat to feel the closeness of the woman he so desperately wanted. His gaze never strayed from her from the moment she first came on stage in Act I, Scene III, until she was finally done to death in Act V, Scene II, bloodlessly smothered by the actor who played the title role. When the play got to that point, Tyler whispered Desdemona’s last words to himself, doing his best to mimic the way Zoe spoke them.

That death’s unnatural that kills for loving.

Alas, why gnaw you so your nether lip?

Tyler sometimes practiced gnawing his nether lip when Zoe said the lines. She was right. It didn’t seem natural. Still, the most famous writer who ever lived had written it that way.

Some bloody passion shakes your very frame:
These are portents; but yet I hope, I hope
They do not point on me. . . .
A guiltless death I die.
Oh yes, my love, he whispered to himself, a guiltless death you die. But not too soon I hope. For I’m quite sure I want you with me for a much longer time than the Star-Struck Strangler had allowed either of the others.

And then, when it came time, he mouthed the famous lines spoken by the Moor.

When you shall these unlucky deeds relate,
Speak of me as I am; nothing extenuate,
Nor set down aught in malice: then must you speak
Of one that loved not wisely, but too well . . .

Tyler had fixated on these words since he’d watched the first performance two weeks ago, for he believed they precisely defined who he was. They were his lines because he believed that he too was one who loved not wisely but too well.

When the play finally ended and the curtain fell two hours, twenty-seven minutes and thirty seconds later, it was the third longest of the twelve performances he had attended. It irritated Tyler that the actors couldn’t do a better job of getting the timing right. Yes, in one performance, the actor playing Iago had even screwed up one of his lines and Othello had to ad-lib filler dialogue until Iago got his brain back on track. But that was the only time they had an excuse.

He let the irritation go when Zoe and the rest of the cast stepped in front of the curtain to take their bows. He stood with the audience and applauded as loudly as, if not more so than, anyone else in the theater. Took the overchewed ball of gum from his mouth and whistled loudly.

Of course, Tyler’s applause was only for Zoe. His gaze fixed only on her. Her dark and penetrating eyes. Her glorious smile. The slender perfection of her figure. At last, when the curtain calls were finally finished and the actors gone from the stage, Tyler slung his pack around one shoulder and walked out, once again practically the last to leave the theater. For the first time, his mind was finally and truly made up. He could wait no longer. He pulled a crushable Aussie outback hat from his backpack and put it on. Kind of goofy-looking, but what with all the damned surveillance cameras on the streets these days, the wide brim did a good job of hiding his face. And on a cold, drizzly night like this, it wouldn’t even attract much attention. Tyler left the theater by a side exit, crossed the street and stood in the shadows of a darkened computer repair shop, waiting for Zoe to emerge from the stage door dressed in her own street clothes.

When she finally walked out, she wasn’t alone. She was with Randall Carter, the big black dude who played Othello. They stood together on the sidewalk talking. Tyler felt rage once again building as they talked. Especially when Carter leaned down and kissed Zoe on the lips. Nothing passionate. Nothing sexy. But still. The woman Tyler considered his own kissing some hotshot Hollywood bastard? A black hotshot Hollywood bastard no less, which made it even harder to take. Tyler could barely keep his rage from roaring back, barely restrain himself from rushing across the street and kicking the shit out of Carter. While he stood there seething, a black Lincoln SUV pulled up. Randall Carter got in. Zoe waved. The car drove off. Zoe pulled up the hood on her rain jacket and started walking by herself along the street. Tyler watched and waited until she was a little ahead before following.

***

Excerpt from A Fatal Obsession by James Hayman. Copyright © 2018 by James Hayman. Reproduced with permission from Witness Impulse. All rights reserved.

~~~

Enter To Win:

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#BookTour “A Fatal Obsession” by James Hayman

on Tour  September  1 – 30, 2018

Synopsis:

A Fatal Obession by James Hayman

“James Hayman’s edgy, ingenious novels rival the best of Lisa Gardner, Jeffery Deaver, and Kathy Reichs. A Fatal Obsession is his finest to date: a ferocious live-wire thriller starring two of the most appealing cops in contemporary fiction.” —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window

Zoe McCabe is a beautiful young actress on the verge of stardom who has been basking in the standing ovations and rave reviews she’s been getting from critics and fans alike for her portrayal of Desdemona in an off-Broadway production of Othello. As she takes her final bows, Zoe has no idea that, seated in the audience, a man has been studying her night after night, performance after performance. A man whose carefully crafted plans are for the young actress to take a starring role in a far deadlier production he has created just for her.

Portland, Maine detectives Mike McCabe and Maggie Savage are settling into the new rhythm of their relationship when McCabe gets a late night call from his brother Bobby that Zoe, McCabe’s favorite niece and Bobby’s daughter, has suddenly disappeared. The NYPD is certain Zoe’s abduction is the work of the man the tabloids have dubbed “The Star Struck Strangler,” a killer who has been kidnapping, abusing and finally strangling one beautiful young performer after another. Bobby begs McCabe to return to the New York City crime beat he’d left behind so many years ago, to work his old connections, and to help find Zoe before her time runs out. The stakes for McCabe and Savage have never been higher. Or more personal. And suddenly the race is on to stop a vicious attacker, before the McCabe family is torn apart beyond repair.

 

Book Details:

Genre: Mystery, Thriller
Published by: Witness Impulse
Publication Date: Aug. 21, 2018
Number of Pages: 432
ISBN: 9780062876676
Series: McCabe and Savage Thrillers #6
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Read an excerpt:

Prologue

The worst thing about the rage was its randomness. Tyler Bradshaw never knew what might trigger one. A tone of voice. A look. An innocent or perhaps a not so innocent remark. Tonight he could feel it starting to build just seconds after he’d begun walking down the center aisle of the small McArthur/Weinstein Community Theater on Manhattan’s Lower East Side.

Having attended all eleven previous performances in this limited-run production of Othello, Tyler knew exactly where he wanted to sit for tonight’s finale. The same seat he’d occupied for every performance so far. The same seat he was going to sit in tonight no matter what. A12. On the aisle. Front row. Right-hand side. By far the best seat in the house in terms of offering him the most intimate view of the death of Zoe McCabe, the young actress cast in the role of Desdemona.

This would be Tyler’s last chance to watch the woman he wanted so desperately, the woman who’d been haunting his dreams for months, meet death at the hands of Randall Carter, the well known black actor who was playing Othello the Moor. And if all went according to plan, this closing night would become opening night for a much more intimate relationship.

But Tyler had taken only a few steps down the aisle when he was stopped short by the sight of some son of a bitch sitting in his seat. The theater was practically empty, and some asshole had actually had the nerve to plant his butt in the seat Tyler claimed as his own. He stood for a few seconds watching the guy as the anger grew. Some skinny twerp with a shaved head and black-framed hipster glasses leaning over and talking to the woman next to him as if unaware of his transgression. Tyler barely managed to suppress an urge to run down the nearly empty aisle to the first row, pull the guy up by his ears and kick the shit out of him right then and there.

Take it easy, Tyler told himself. Don’t start a fight. Don’t cause a scene. Don’t get your ass thrown out of here. Do that and you’ll miss Zoe’s final death scene, and you really don’t want to do that. Still, when something he so desperately wanted was denied him, when something he considered rightfully his was withheld or taken away, Tyler found it nearly impossible to suppress the anger filling his brain. But he knew he had to try. Taking a deep breath, he managed to walk at a measured pace the rest of the way down the aisle. He stopped and stood directly in front of the guy in A12. He looked down. “Sorry, buddy,” he said in a voice filled with no more than a hint of threat, “you and your girlfriend are gonna have to move. This seat’s taken.”

“I beg your pardon,” the guy said in what Tyler thought was a condescending tone. Tyler hated it when people condescended to him. New York was full of them. It was one of the reasons he really didn’t like spending time in the city even though he’d been born here. Even though he still kept an apartment here. Even though he’d worked three years at his uncle’s fancy Wall Street law firm. That job had gone down the crapper the day Tyler totally lost it when one of the other associates had condescended to him. Told Tyler in front of like ten other people that the only reason the firm had hired Tyler was because his uncle happened to be managing partner. Tyler reacted by slugging the guy right then and there in front of six other lawyers. Knocked the bastard flat on his ass. Then followed up with a kick to the gut. A deliciously satisfying kick even though it marked the end of his legal career. The only reason Tyler hadn’t been charged with assault was that his uncle convinced the other guy his own career would go much better if he simply forgot about the whole thing. Tyler still got pissed off when he thought about that asshole.

“You heard me,” Tyler said to the guy who’d taken his seat, making sure he kept his voice quiet and controlled. “You’re sitting in my seat. This has been my seat for the last two weeks. The entire run. And it will continue to be my seat for tonight. That means it’s time for you to tell me how sorry you are and get up and move.”

Condescension changed to huffiness. “I don’t know who you think you are but there’s no reserved seating in this theater. We took these seats first. That means they’re ours. There’s plenty of empty seats all over the place. Just take one of those and leave us the hell alone.”

“This is my seat and you are going to have to move.”

For exactly twenty-three seconds the guy said nothing. Tyler knew it was twenty-three without having to consult his watch. It was this brain thing he’d had ever since the so-called accident. He always knew precisely to the second what time it was and precisely how much time was passing. Just as he knew how many steps it would take to get from one place to another without having to think about it. It hadn’t always been that way. Just since his old man had tossed him headfirst into the shallow end of the swimming pool at their country place when he was fourteen and he’d bashed his head against the concrete. That’s when the rage problems started as well.

For the entire time, the guy just sat where he was and looked up at Tyler. Maybe he was debating whether to challenge someone who, at six foot three and two hundred and twenty pounds, was way the hell bigger than he was.

Tyler was getting closer to hoisting the guy out of the seat and tossing his skinny little ass out into the aisle. Which would have ruined everything. Thankfully, one second before he would have done just that, the guy’s wife or girlfriend or whatever she was, broke the impasse.

“Come on, Richard,” she said. “Let’s move. I don’t like being this close to the stage anyway.”

“I oughtta call the police,” said Richard.

“Call whoever the fuck you want, Richard. Just get your ass out of my seat.”

“Richard. Please,” said the woman. “This guy’s unhinged.”

“Yeah, Richard, I’m unhinged,” said Tyler, putting as much menace in his voice as he could.

“And if you want to know the truth, I’m getting more fucking unhinged by the second.”

The woman rose, took Richard’s hand and pulled. “Please,” she said.

The guy finally stood. No doubt relieved not to have to confront someone as big and angry-looking as Tyler. But, Tyler figured, also ashamed that he lacked the cojones to stand up to the bully who’d shamed him in front of his girlfriend. A lot of people responded to Tyler that way. He usually enjoyed it when they did. He especially liked it when people backed down and did exactly what he told them to. Which was most of the time. Most people were too chicken-shit to stand up for themselves.

Tonight was no different. The guy named Richard picked up a canvas messenger bag from the floor and let the woman lead him across to the other side of the small auditorium, where they found seats a couple of rows back. Tyler watched them go. Neither looked back at him. Neither noticed the small, satisfied smile he threw at them. Confrontations that ended like this and the adrenaline rush that came with them always made him feel better.

Before sitting down, Tyler unzipped his backpack, pulled a pair of latex gloves from the package he’d put in there, and put them on. Then he took out a packet of antibacterial wet wipes and used three of them to wipe down the seat, the backrest and the arms before easing his large frame down into seat A12. His seat. That done, he closed his eyes and focused on breathing deeply in and out. Pictured the rage that had come from the confrontation slowly dripping out of him, drop by drop, like water from a leaky faucet. That’s what Dr. Steinman, the therapist he started seeing a year after the swimming pool incident, had taught him to do when he felt this way. He watched the drops falling . . . exactly one drop per second . . . and knew without counting that one hundred and forty-four drops had fallen before he’d totally emptied himself of the anger and felt calm enough to open his eyes.

Tyler had another twenty-one minutes and twelve seconds to wait before scheduled curtain time. Maybe even more minutes and seconds before the curtain actually went up, because they never seemed to get the timing right. To pass the time he popped a couple of sticks of Juicy Fruit gum in his mouth and started chewing. Then he pulled a week-old copy of the New York Daily News from his backpack and unfolded it. He stared for what had to be the hundredth time at the banner headline, the big black letters seeming to leap out at him from the front page. StarStruck Strangler Strikes Again. He wondered if that was just one headline or if that was the nickname they were going to give the killer. He wondered if the name would stick. Tyler thought about it. Star-Struck Strangler wasn’t nearly as interesting as, say, Son of Sam. Though it was, he supposed, equally alliterative. Both had multiple S’s, which had always been one of Tyler’s favorite letters. He repeated the headline to himself. Star-Struck Strangler Strikes Again. Four ST words in a row. Tyler preferred S words when they were followed by L’s. Words like slasher. Slimy. Sleazy. Slippery. Slinky. Slick. Slutty. Yes, SL words were much better than ST words. His favorite SL word, slithy, wasn’t a real word at all. Just something made up by Lewis Carroll. ‘Twas brillig, and the slithy toves / Did gyre and gimble in the wabe. Wonderful creepy-crawly sounds.

Beneath the headline that dominated the front page was a subhead set in slightly smaller black type. It read, Missing Ballerina Found Murdered on Beach. No alliteration there unless you counted the M’s in Missing and Murdered and the B’s in Ballerina and Beach, and Tyler didn’t think that really counted. Tucked next to the headline and subhead was a color photo of an attractive young blonde, her hair pulled back in a bun, smiling at the camera. A happy smile, he thought, for a woman who’d turned up dead over a week ago. Tyler flipped open the tabloid and read full the story once again:

Friday, October 2, 2015. The body of 21-year-old Sarah Jacobs, a dancer with the New York City Ballet who had been reported missing two weeks earlier on September 15, was discovered late last night lying in a shallow, sandy grave on a stretch of beach in Sherwood Island State Park., The beach is located on the Long Island Sound in the affluent suburb of Westport, Connecticut.

Investigators say Ms. Jacobs’s body was discovered at approximately six a.m. by Westport resident Edward Todd. Todd told police he was walking his dog on the beach as he does every morning, when the dog raced ahead and started sniffing at something in the sand. When Mr. Todd was close enough to see it was the remains of a human body, he immediately dialed 911 on his mobile phone and informed Westport police, who arrived moments later. After identifying the body, Westport detectives notified the NYPD, which had been searching for Ms. Jacobs since her disappearance.

The victim, Sarah Jacobs, was a well-regarded dancer who was considered a rising star with the New York City Ballet. According to police sources, the victim’s body, when found, was wearing a black leotard and black ballet slippers, an outfit identical to the one she wore on stage during her last performance at Lincoln Center on September 12, three days prior to her disappearance. Her hair was also arranged identically to the way it had been during the performance.

Ms. Jacobs was the daughter of prominent Broadway producer Frederick Jacobs and Chelsea art dealer Marjorie Hanscomb Jacobs. Both parents refused to comment on the discovery of their daughter’s body. André Komar, the company’s ballet master, told reporters, “Sarah was an exceptionally gifted young dancer with a bright future ahead of her. All of us who knew and worked with her here at the New York City Ballet are grieving along with her parents. This is a real tragedy and we will all miss her enormously.”

Assistant New York City Medical Examiner Dr. Peter Weisman told reporters the apparent cause of death was strangulation. He also said the body was badly bruised and there were clear signs that Ms. Jacobs had been sexually assaulted prior to death. Her body is scheduled to be autopsied by the Office of the Chief Medical Examiner to determine, among other things, time of death and if strangulation was indeed the cause.

The victim has been the subject of an intense New York Police Department manhunt ever since her disappearance. She was last seen leaving a private party at the Museum of Modern Art in Manhattan on the evening of September 15th. Her father told reporters she left the party early after complaining of feeling “queasy” and said that she was going to take a cab home to her Greenwich Village apartment.

Ms. Jacobs is the third young member of New York’s performing arts community to have disappeared from Manhattan since the beginning of the year. The body of an earlier victim, Ronda Wingfield, 28, an actress who appeared frequently in musical productions in Manhattan and elsewhere, was discovered last May 19th in a wooded section of Manhattan’s Highbridge Park.

A third performer, actress Marzena Wolski, who also lived in Manhattan and who, for the last two years, had a starring role in the TV crime drama Malicious, was reported missing September 28th. Police have reportedly found no clues as to Ms. Wolski’s whereabouts.

When asked if police believed the three kidnappings and two confirmed deaths were the work of a serial killer, the NYPD’s chief of detectives, Charles Pryor, told reporters, “While we can’t be absolutely sure at this point in the investigation, given the obvious similarities in the choice of victims, all of whom performed on television or on stage, as well as similarities in the cause and manner of death of the two victims found so far, we are fairly certain that that is the case.” Pryor added, “There are currently no suspects but we are hopeful that the discovery of Ms. Jacobs’s remains will provide some relevant leads.”

Tyler reread the article a couple of times even though he already knew it pretty much by heart, as he did just about everything else that had been published about the kidnappings and murders. He then turned back and examined the front-page photo of Sarah Jacobs. With her long, narrow face, Sarah wasn’t really all that pretty. At least not compared to Zoe McCabe. For Tyler Bradshaw, there was no one who could compare to Zoe.

Tyler finally returned the paper to his backpack, relaxed in his seat and waited patiently until the curtain rose, and Roderigo and Iago entered a bare-bones version of a sixteenth-century Venetian street. Tyler watched the beginning of the play with minimal interest. It wasn’t Iago or Roderigo he’d come for. Tyler’s only reason to sit through this part of the play over and over again was to make sure he got the right seat to feel the closeness of the woman he so desperately wanted. His gaze never strayed from her from the moment she first came on stage in Act I, Scene III, until she was finally done to death in Act V, Scene II, bloodlessly smothered by the actor who played the title role. When the play got to that point, Tyler whispered Desdemona’s last words to himself, doing his best to mimic the way Zoe spoke them.

That death’s unnatural that kills for loving.

Alas, why gnaw you so your nether lip?

Tyler sometimes practiced gnawing his nether lip when Zoe said the lines. She was right. It didn’t seem natural. Still, the most famous writer who ever lived had written it that way.

Some bloody passion shakes your very frame:
These are portents; but yet I hope, I hope
They do not point on me. . . .
A guiltless death I die.
Oh yes, my love, he whispered to himself, a guiltless death you die. But not too soon I hope. For I’m quite sure I want you with me for a much longer time than the Star-Struck Strangler had allowed either of the others.

And then, when it came time, he mouthed the famous lines spoken by the Moor.

When you shall these unlucky deeds relate,
Speak of me as I am; nothing extenuate,
Nor set down aught in malice: then must you speak
Of one that loved not wisely, but too well . . .

Tyler had fixated on these words since he’d watched the first performance two weeks ago, for he believed they precisely defined who he was. They were his lines because he believed that he too was one who loved not wisely but too well.

When the play finally ended and the curtain fell two hours, twenty-seven minutes and thirty seconds later, it was the third longest of the twelve performances he had attended. It irritated Tyler that the actors couldn’t do a better job of getting the timing right. Yes, in one performance, the actor playing Iago had even screwed up one of his lines and Othello had to ad-lib filler dialogue until Iago got his brain back on track. But that was the only time they had an excuse.

He let the irritation go when Zoe and the rest of the cast stepped in front of the curtain to take their bows. He stood with the audience and applauded as loudly as, if not more so than, anyone else in the theater. Took the overchewed ball of gum from his mouth and whistled loudly.

Of course, Tyler’s applause was only for Zoe. His gaze fixed only on her. Her dark and penetrating eyes. Her glorious smile. The slender perfection of her figure. At last, when the curtain calls were finally finished and the actors gone from the stage, Tyler slung his pack around one shoulder and walked out, once again practically the last to leave the theater. For the first time, his mind was finally and truly made up. He could wait no longer. He pulled a crushable Aussie outback hat from his backpack and put it on. Kind of goofy-looking, but what with all the damned surveillance cameras on the streets these days, the wide brim did a good job of hiding his face. And on a cold, drizzly night like this, it wouldn’t even attract much attention. Tyler left the theater by a side exit, crossed the street and stood in the shadows of a darkened computer repair shop, waiting for Zoe to emerge from the stage door dressed in her own street clothes.

When she finally walked out, she wasn’t alone. She was with Randall Carter, the big black dude who played Othello. They stood together on the sidewalk talking. Tyler felt rage once again building as they talked. Especially when Carter leaned down and kissed Zoe on the lips. Nothing passionate. Nothing sexy. But still. The woman Tyler considered his own kissing some hotshot Hollywood bastard? A black hotshot Hollywood bastard no less, which made it even harder to take. Tyler could barely keep his rage from roaring back, barely restrain himself from rushing across the street and kicking the shit out of Carter. While he stood there seething, a black Lincoln SUV pulled up. Randall Carter got in. Zoe waved. The car drove off. Zoe pulled up the hood on her rain jacket and started walking by herself along the street. Tyler watched and waited until she was a little ahead before following.

***

Excerpt from A Fatal Obsession by James Hayman. Copyright © 2018 by James Hayman. Reproduced with permission from Witness Impulse. All rights reserved.

 

Author Bio:

James Hayman
JAMES HAYMAN, formerly creative director at one of New York’s largest advertising agencies, is the author of the acclaimed McCabe and Savage Thriller series: The Cutting, The Chill of Night, Darkness First, The Girl in the Glass, The Girl on The Bridge, and A Fatal Obsession.

Catch Up With James Hayman On:
jameshaymanthrillers.com, Goodreads, Twitter, & Facebook!

 

Tour Participants:

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

https://www.linkytools.com/basic_linky_include.aspx?id=286904

 

Enter To Win:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Harper Collins/Witness Impulse and James Hayman. There will be 3 winners of one (1) copy of The Cutting by James Hayman (eBook). The giveaway begins on September 1, 2018 and runs through October 1, 2018. (FOR BOOKS Open to U.S. addresses only). Void where prohibited.

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#BookBlast “The Found Child (The Secrets of Suburbia Book 2)” by Jo Crow

September 18, 2018 Book Blast

Synopsis:

The Found Child by Jo Crow

One mother’s life can change in the blink of an eye—and there’s no going back.

Elaine’s worst fears become a reality when her beloved son Jakob is diagnosed with cancer. She needs to find a bone marrow donor, and time is running out. While awaiting test results from herself and her husband Nathan, she approaches his business partner, Roger—her ex-lover—to see if he could be a possible match. Instead, an even greater shock awaits: Jakob is not her biological son. For years, she has been raising someone else’s child.

The news threatens to send Elaine back to the pills that almost destroyed her life once before, pushing her already fragile mental state to the breaking point. As the family faces one crisis, a ghost from her past emerges to jeopardize everything she’s built. But is the threat real, or is it all in her mind? Elaine needs to stay strong for her son, but as her whole reality continues to unravel, she can’t trust anyone—not even herself.

Book Details:

Genre: Thriller
Published by: Relay Publishing
Publication Date: September 4th 2018
Number of Pages: 372
ISBN-10: 1726446328
ISBN-13: 978-1726446327
Purchase Links: Amazon Goodreads

 

Read an excerpt:

Prologue

Telling parents that the search for their missing infant had gone cold was a job that no one wanted. And honestly, Detective Aaronson had tried to pass it off to someone else—to his partner, Miller, and then to a uniform. Ultimately, though, the chief had put his boot down and pushed it back on Aaronson. He was the point man. He and Miller had worked the case together for a month before the leads dried up, but it had been Aaronson who had sat with the parents, talked to them on the phone, and kept them updated.

He’d been the one to give them hope, so it followed that he should be the one to take it away… right?

They had agreed to meet him at the station. That seemed to be the best choice. No one wanted to get this kind of news in their own home—it would put a stain on the place that would never wash out. No, it was more professional to have the talk here in one of the small conference rooms. No decorations, no distractions, nothing to make the moment seem too casual. Only gray brick, white linoleum and a wooden table and chairs that were plain and utilitarian. Unemotional.

Now he sat across from them, steeling himself and trying to work up some moisture in his mouth. There was water, but they hadn’t poured a glass so he wasn’t about to. Both of them had dark circles under their bloodshot eyes, and a waxy pallor to their skin. They hadn’t slept in a month, he figured. He’d have put money on it. Hell, he could barely sleep when his teenager stayed out late with her friends on a weekend. And their child had been gone for more than a month. As a parent, he understood part of their pain. Just part of it. That’s what made this so damn difficult.

“We’re not closing the case,” he said, his tone as flat as he could manage. “But as of now, the leads—”

“You’re not looking anymore?” the mother asked. Fury filled her eyes, and loss. One of those was for him.

“It’s only been a month,” the father said. “You can’t stop now. Please, our son is out there somewhere—we know it.”

“I can feel him,” she said. “You have to believe me, I can feel him here.” She clutched at her chest, at the threadbare, peach-colored sweater she wore.

You have to keep it short, the chief had said. Keep it direct and then refer them to the counselor. That’s your job.

Aaronson wondered if the chief had ever done this before. He imagined he’d had, but to make it seem so simple… Of course, there were regulations. He couldn’t be the counselor and the detective, and there were good reasons for that. “We will keep the case open,” he told them. “If any new leads come in, we’ll follow up on them.”

He meant it, too. But the truth that he knew, and that these two knew even if they didn’t want to believe it, was that after seventy-two hours, most of these cases were never solved. Every day after that windows closed, the likelihood of finding a child like theirs dropped exponentially until it plummeted to a fraction of a percent which itself really only represented the handful of miracle cases that had been resolved sometimes decades after a disappearance.

“Please don’t do this,” the father begged. He took his wife’s hand, and they leaned into one another. “One more month. There was that woman—”

“At the moment, Andrea Williams has been cleared as a suspect,” Aaronson said. That poor woman’s life had been all but destroyed already. “We’ve been over her life with a fine-toothed comb. If new evidence emerges, we’ll look into it again, but I’m telling you that she’s not who we want.”

“So, what do we do now?” the mother asked. “What do we do now that you’ve abandoned our boy? Abandoned us?”

Aaronson was so close to breaking. He stood from the table. “I swear to you both,” he said, the words bitter on his tongue, “that we will pursue any and every lead that comes across my desk. We’re not abandoning anyone. Alright?” And while it may have been technically true, it sure felt like a lie.

Nothing but contempt came from them, and he didn’t blame them at all. And he hated himself for what he had to say next. “There’s a counselor here. Doctor Amari. She’s a grief counselor, and it’s free to see her. I can send her in, but I have to leave you now. I’m sorry. Really, I am.”

They turned their faces from him.

As he left, he closed the door gently even though he wanted to slam it hard enough to shatter the glass. He wasn’t even sure who to be angry with. Himself, mostly, he guessed, or the whole damn department. And Andrea-fucking-Williams, who had wasted their time from the beginning by lying to protect herself instead of telling them the truth about her record so that they could have moved on.

He took only two steps before the mother wailed loudly behind him. The entire department went quiet. That sound was one they all knew. It was the sound of a woman who had lost the last shred of hope she’d had. The shred that he’d taken away from her.

That was the sound of a mother whose child had died. And, at this point, Aaronson had nothing to suggest it wasn’t true.

He’d failed them.

***

Excerpt from The Found Child by Jo Crow. Copyright © 2018 by Jo Crow. Reproduced with permission from Jo Crow. All rights reserved.

 

Author Bio:

Jo Crow

Jo Crow gave ten years of her life to the corporate world of finance, rising to be one of the youngest VPs around. She carved writing time into her commute to the city, but never shared her stories, assuming they were too dark for any publishing house. But when a nosy publishing exec read the initial pages of her latest story over her shoulder, his albeit unsolicited advice made her think twice.

A month later, she took the leap, quit her job, and sat down for weeks with pen to paper. The words for her first manuscript just flew from her. Now she spends her days reading and writing, dreaming up new ideas for domestic noir fans, and drawing from her own experiences in the cut-throat commercial sector.

Not one to look back, Jo is all in, and can’t wait for her next book to begin.

Catch Up With Jo Crow On:
Goodreads & Facebook!

 

Tour Participants:

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

https://www.linkytools.com/basic_linky_include.aspx?id=287177

 

ENTER TO WIN!:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Jo Crow. There will be 5 winners of for this tour. There will be 1 winner of one (1) Amazon GC; there will be 3 winners of one (1) A MOTHER’S LIE eBook; and there will be 1 winner of one (1) A MOTHER’S LIE by Jo Crow audiobook. The giveaway begins on September 18, 2018 and runs through September 25, 2018. Void where prohibited.

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“A Dead Sister (Jessica Huntington Desert Cities Mystery Book 2)” by Anna Celeste Burke

A Dead sister cover

A Dead Sister (Jessica Huntington Desert Cities Mystery Book 2)

by Anna Celeste Burke

Genre: Cozy/Mystery/Crime Fiction/Kidnapping

99¢ at time of posting! Kindle Countdown!

A down and out meth addict claims to have witnessed the murder of Kelly Fontana, and a decade-old cold case heats up.   

Why would anyone have killed Jessica Huntington’s troubled 19-year-old friend all those years ago? Jessica teams up with Kelly’s handsome cousin, Detective Frank Fontana, to uncover the truth and get justice for Kelly.

Join Jessica and her quirky friends as they try to figure out whodunit and why!
Grab your copy of A Dead Sister by USA Today & Wall Street Journal bestselling author, Anna Celeste Burke
Like other books in this series, A Dead Sister is free to read with Kindle Unlimited.

 

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