Posts Tagged Police Procedural

“Bitter Roots (Bitter Root Mysteries Book 1)” by C.J. Carmichael

Bitter Roots cover

Bitter Roots (Bitter Roots Mysteries Book 1)

by C.J. Carmichael

Genre: Mystery/Thriller/Suspense/Crime/Police Procedural.

FREE at times of posting

Murder in a small town is always personal.

Dispatcher Zak Waller prefers working behind the scenes in the Sheriff’s Office of Lost Trail, Montana, but when a newcomer to the sparsely populated town is brutally murdered—and the Sheriff is quick to pin the death on an unknown outsider—Zak starts his own private sleuthing.

On the surface Lost Trail is a picture-perfect western town, offering a simple way of life revolving around the local ranches and ski hill. But almost everyone has a secret to protect, and no one knows that more than Zak. He’s part of a younger generation hoping to revitalize the town. But evil has dug in deeper than he knows.

Amazon button

Advertisements

, , , , ,

Leave a comment

#Review “Scar Tissue (The Cole and Callahan Thriller Series)” by Patricia Hale

Scar Tissue cover

~~~

5/5 stars!

Scar Tissue is not just an intriguing police procedural but a good look at family dynamics…dysfunctional family dynamics, because there are some totally messed up folks in this read dealing with several timely themes.

The death of a wealthy young coed, Ashley Lambert, is ruled a suicide but the family has trouble accepting it and PIs Griff Cole and Britt Callahan are called in to go deeper than the preceding police investigation.

As they dig into the background of Ashley and her family, skeletons fall out all over the place.

Meanwhile, Griff and Britt have bought a home together and while Britt is trying to wrap her head around it, she finds out all is not well with their new neighbors, a young couple whose toddler went missing and was never found.

While it looks as though there is no connection between their case and their new neighbors, the plot twists arrive and everyone’s a suspect.

In the end, you can’t help but feel sorry for Ashley… and her roommate. I can’t imagine living the life either young woman had, but oh my god, Ashley’s parents—Greg and Gwen—are proof some people should not be allowed to have children. They were both horrid people but deserved each other since they didn’t marry… or stay married for the right reasons. Their avarice and narcissism screwed up their kid, no doubt about it.

Neighbor, Rhea McKenzie, is also a sympathetic character who endured much. The resolution to her story was a bit surprising, but I understood and agreed with Britt… justice doesn’t always work the way it should.

Griff and Britt are a great couple and it was nice reading about a couple with equal footing. Their personalities compliment each other and the mutual respect is as strong as the love between them.

Scar Tissue was my first Cole and Callahan Thriller Series read but it won’t be my last. Solid writing and well-developed plot and characters make me want to read more of this investigative team’s stories. Fans of thriller, suspense and women’s fiction will enjoy Scar Tissue.

Enjoy!

~~~

Synopsis:

Scar Tissue by Patricia Hale

Track star, Ashley Lambert, has just been accepted into the prestigious Johns Hopkins University, so when she jumps eighteen stories to her death her parents hire the PI team of Griff Cole and Britt Callahan to find out why. The investigation exposes a deeply disturbed family hiding behind a façade of perfection and follows Ashley’s descent into performance enhancing drugs and blackmail. Ashley’s coaches, peers and even her parents come into question. The disturbing truth behind Ashley’s death is testimony to lines crossed and allegiances sworn…. in the name of love.

Meanwhile, things don’t add up next door. Britt’s working overtime researching their new neighbors whose one-year-old son disappeared four years ago. Rhea McKenzie, has a secret and bruises aren’t the only thing she’s trying to hide. When an off-hand comment discloses a connection to Ashley Lambert the two cases become entwined, setting off an unstoppable chain of events. Britt is sucked into an alliance with Rhea and driven to make decisions that challenge her ethics, threaten her relationship and in the end, push her over a line she never thought she’d cross.

Book Details:

Genre: Thriller
Published by: Intrigue Publishing
Publication Date: September 1, 2018
Number of Pages: 194
ISBN: 978-1-940758-85-5
Series: Cole and Callahan #3
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

~~~

Enter To Win:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Patricia Hale. There will be 1 winner of one (1) Amazon.com Gift Card. The giveaway begins on October 1, 2018 and runs through November 1, 2018. Void where prohibited.

a Rafflecopter giveaway
https://widget-prime.rafflecopter.com/launch.js

 

Get More Great Reads at Partners In Crime Virtual Book Tours

, , , ,

4 Comments

#BookTour “Scar Tissue (The Cole and Callahan Thriller Series)” by Patricia Hale

on Tour October 1-31, 2018

Synopsis:

Scar Tissue by Patricia Hale

Track star, Ashley Lambert, has just been accepted into the prestigious Johns Hopkins University, so when she jumps eighteen stories to her death her parents hire the PI team of Griff Cole and Britt Callahan to find out why. The investigation exposes a deeply disturbed family hiding behind a façade of perfection and follows Ashley’s descent into performance enhancing drugs and blackmail. Ashley’s coaches, peers and even her parents come into question. The disturbing truth behind Ashley’s death is testimony to lines crossed and allegiances sworn…. in the name of love.

Meanwhile, things don’t add up next door. Britt’s working overtime researching their new neighbors whose one-year-old son disappeared four years ago. Rhea McKenzie, has a secret and bruises aren’t the only thing she’s trying to hide. When an off-hand comment discloses a connection to Ashley Lambert the two cases become entwined, setting off an unstoppable chain of events. Britt is sucked into an alliance with Rhea and driven to make decisions that challenge her ethics, threaten her relationship and in the end, push her over a line she never thought she’d cross.

Book Details:

Genre: Thriller
Published by: Intrigue Publishing
Publication Date: September 1, 2018
Number of Pages: 194
ISBN: 978-1-940758-85-5
Series: Cole and Callahan #3
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Read an excerpt:

“I don’t believe my daughter jumped. She wouldn’t have done that. I told the police, but they dismissed me. Evidently, they knew my daughter better than I did.”

“What’s your feeling on that, Mrs. Lambert?” I asked. Parents don’t always share perspectives on their children.

When she looked at me, her eyes were moist. She cradled the columbine in her palm. “Call me Gwen.”

I nodded.

“Ashley was a good girl. She worked very hard at everything she did.”

“She was the best, always. She made sure of it,” Greg chimed in.

Or else you did, I thought.

“It would have gone against her nature to jump off that building. It just wasn’t her way,” Gwen added.

“Her way?” Greg squinted at his wife, his face twisted in disgust as though studying an insect on flypaper. “What the hell does that mean?” He stood and walked around the circumference of our seating arrangement and then came back and took his chair again. “My girl did as she was told. And only what she was told.”

“It’s not always easy to tell a senior in college what to do,” I said. “At some point they start making their own choices even if some are ones their parents might not like.”

“Not my girl.” Greg shook his head, knocking my theory out of the park. Dismissed as impossible.

I couldn’t help but notice he kept referring to Ashley as my girl not our girl as though he’d created her, given birth and raised her throughout her short life singlehandedly. I didn’t like him. My assessment of Gwen was still up in the air, but she was wrapped so tight I couldn’t get a glimpse inside. It’s never easy to work for someone you don’t like, but Ashley’s case held the interest factor. Why had this seemingly perfect child jumped to her death?

“She was a star athlete at the top of her class and a week from graduation,” Greg continued. “She’d been accepted at Johns Hopkins Berman Institute for Bioethics. And you’re telling me that’s a kid who makes bad decisions? I don’t think so, Ms. Callahan.”

Okay, he shut me up. (A momentary lull.)

“Mr. Lambert,” Griff spoke up. “I have a daughter. I can’t imagine what you must be going through dealing with all this. What is it you think we can do for you?”

“I told the police and the medical examiner that my daughter wouldn’t take her own life. Cops shook their heads, said it wasn’t their call to make. The medical examiner said it presented as a cut and dried suicide.”

“And what do you say, Mr. Lambert?”

“My daughter was murdered.”

I glanced at Gwen. “Do you agree, Mrs. Lambert?”

She raised her eyes, glanced at her husband and then to me. “I’m not convinced, but I do agree that suicide doesn’t fit with who my daughter was.”

Griff kept his focus on Greg. “What makes you think someone would have killed your daughter? Did she have enemies that you’re aware of?”

“No, no enemies that I know of, but her jumping makes no sense. She had everything going for her and absolutely no reason to end her life. She would never have done that to me.”

Strike two. The selfish bastard assumed his daughter’s tragic death had more to do with him than whatever had driven her to that fateful state of mind. “Suicide is about what’s going on within the person themselves,” I said trying not to let my voice betray my disgust. “I doubt Ashley was consciously doing anything to you at the moment she jumped. If she jumped.”

“She knew the goals we’d set,” he said dismissing my remark. “And she had every intention of attaining them.”

“Goals?” I asked.

“Johns Hopkins, her PhD, an Olympic gold medal.”

“Had she been accepted to compete in the Olympics?” Griff asked.

“It was in the works,” he said annunciating each word as though we were hard of hearing.

“Did you let the medical examiner know how you felt?”

“Of course, I did.”

“And was an autopsy performed?”

Greg Lambert glanced at his wife. She looked away. Touchy subject, I gathered.

“Useless,” he said. “They found nothing.” He turned to Gwen. “Go get my checkbook.”

She rose and disappeared inside the house without a word, still holding the columbine in her hand.

I caught Griff’s eye and he raised his eyebrows as though asking, should we?

“Look Mr. Lambert,” he said. “Britt and I like to discuss a case before we commit to it. We want to feel some degree of surety that we can help you before money changes hands and we sign a contract. Give us time to talk it over and we’ll get back to you tomorrow.”

Gwen reappeared holding a large, black-spiraled checkbook. Greg took it from her along with the pen she offered and flipped open the front of the book. He looked at Griff. “How much do you want?” he asked.

“Mr. Lambert, I…” Griff started.

“We’ll give you the information you need to get started. I don’t have any doubt you’ll see it my way. What’s the retainer?” He held the pen poised over the checkbook.

“Five thousand,” Griff said.

I thought that was a little high. He must be thinking about the pool we wanted to install.

“And a list of names. Professors, coaches and friends,” he added.

Greg pointed to his wife. “Put that together.”

Dismissed, Gwen went inside to gather what we needed.

Once we had the necessary information from Gwen, and Greg’s check was folded inside Griff’s pocket, Carole stepped onto the deck and offered to show us out.

“We’ll be in touch,” Griff said. He stood extending a hand toward Greg.

Greg Lambert rose from his chair and placed his hands on his hips. “When?”

“As soon as I have something to tell you,” Griff said lowering his arm.

Griff’s ability to come off unfazed by blatant rude behavior is beyond me. I couldn’t get off that porch fast enough. If I’d lingered I would have placed a well-directed snap kick to Greg Lambert’s groin.

We followed Carole to the front door. She swung it wide and stepped with us outside then pulled the door closed behind her. On the front step she glanced from one of us to the other then dropped her head and stared at the granite, clearly trying to make up her mind. We waited. When she looked up she extended her arm toward Griff as though intending to shake.

“Look,” she said. “I’m probably way out of line here and dipshit in there will have me banned if he knows I’m talking to you. I’m already on probation around here so whatever I say stays between us, all right?”

Griff nodded and reached for her hand, keeping his eyes on her face.

She slipped a folded piece of paper into his palm. “I’m Carole Weston, Gwen’s sister. Call me,” she said. “There’s more to this. A lot more.”

***

Excerpt from Scar Tissue by Patricia Hale. Copyright © 2018 by Patricia Hale. Reproduced with permission from Patricia Hale. All rights reserved.

 

Patricia Hale

Author Bio:

Patricia Hale lives in Standish, ME with her husband. She is a graduate of the MFA program at Goddard College, a member of International Thriller Writers, Sisters in Crime, Mystery Writers of America, Maine Writers and Publishers Alliance and the NH Writers Project. Scar Tissue is the third book in the Cole & Callahan thriller series. When the computer is off, you can find Patricia on the sideline of her grandsons’ sporting events or hiking the trails near her home with her German shepherd and one very bossy Beagle.

Catch Up With Our Author On:
Website, Goodreads, Twitter, & Facebook!

 

Tour Participants:

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

https://www.linkytools.com/basic_linky_include.aspx?id=287341

 

Enter To Win:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Patricia Hale. There will be 1 winner of one (1) Amazon.com Gift Card. The giveaway begins on October 1, 2018 and runs through November 1, 2018. Void where prohibited.

a Rafflecopter giveaway
https://widget-prime.rafflecopter.com/launch.js

 

Get More Great Reads at Partners In Crime Virtual Book Tours

, , , ,

Leave a comment

#Review “Who Cares If They Die?” by Wendy Dranfield

tour banner

~~~

5/5 Stars!

Small town life will kill you… literally!

For a boring little town, Maple Valley, Hampshire is vying for murder capital of the country.

An apparent suicide begins to take on the trappings of murder, but before ducks can be lined in a row, more deaths occur. Officer Dean Matheson dreams of earning a detective’s shield, and solving the mystery behind the woman found hanging in the woods could be his winning ticket but he needs to 1) avoid the lazy, glory-seeking detective assigned to the case, and 2) learn to keep it in his pants!

Dean, Dean, Dean! Geeze. He believes Detective Miller’s dislike for him is holding him back, but nope. Dean is holding Dean back.

Estranged from his wife because he had an affair with the medical examiner for a few months because he was needy and grieving after his brother’s suicide, (what-everrrrr, Dean) he was sizing the new prison psychiatrist up only seconds after she sat next to him at the diner’s counter. *Hard eye-roll, but holds back from flinging Kindle* So Dean, Sheila, and Beth are on my adults-behaving-badly list early into the read. Wife Linda was hiding her own sins, but Dean didn’t know that until later. However, he did react like an hypocritical ass when he found out.

Had Dean not been so single-minded… and easily manipulated, he might have solved the mystery from the woods… like I did, and this read would have been less than fifty pages! 😀  HA!

The murderer was good though, and not just in method but also persona, playing a role for all of the town, though different with each person encountered. Attention to detail was meticulous. Choosing a small, rural town was genius. The killer stays under the radar because everyone knows everyone and is in their business. Perfect. Makes me wonder exactly how long the planning took, and just how crazy is the criminally insane… crazy like a fox? And why is this killer… a killer? WOW! NICE plot twist!

Choice of most victims, unfortunately, was spot on. Their character wasn’t just questionable on some pious level, but their behavior and offenses were facts most of Maple Valley knew about so their deaths aren’t questioned at first. One is even seen as a win for the victim’s abused fourteen-year-old daughter, so who cares if they die? NICE!

As information about the serial killer—and the dead—comes to light, Dean sees the full picture, but it’s good old-fashioned police work by retired Maple Valley Detective Jones which breaks the case. Dean’s mentor and idol does the leg-work and figures it out. But will he do it before more lives are lost, including Dean’s? Loved Jones!

The spins and twists of Who Cares If They Die will keep mystery and suspense lovers turning pages right up to the end and I highly recommend it.

Enjoy!

~~~

CoverDid she jump or was she pushed?

It starts with the hanging woman in the Maple Valley woods; the woman with no shoes, no car and no name. On paper it’s an obvious case of suicide – but to Officer Dean Matheson, something doesn’t add up.

Then there are the other deaths, deaths that also look like suicides – but are they? The victims are all women living on the fringes of society, addicts and criminals. Who will miss them? Does anyone really care if they die?

Dean Matheson is making it his business to care, even if it means he becomes the target …

 

 

Purchase Links

Amazon US     |       Amazon UK  

~~~

 

, , , , , , ,

Leave a comment

#BlogTour “Who Cares If They Die?” by Wendy Dranfield

tour banner

~~~

CoverDid she jump or was she pushed?

It starts with the hanging woman in the Maple Valley woods; the woman with no shoes, no car and no name. On paper it’s an obvious case of suicide – but to Officer Dean Matheson, something doesn’t add up.

Then there are the other deaths, deaths that also look like suicides – but are they? The victims are all women living on the fringes of society, addicts and criminals. Who will miss them? Does anyone really care if they die?

Dean Matheson is making it his business to care, even if it means he becomes the target …

 

 

 

 

Purchase Links

Amazon US     |       Amazon UK  

~~~

Author Bio  Wendy Dranfield

Wendy is a British crime thriller writer who lives in Nottinghamshire with her husband and 3 rescue cats.

She started writing as a young girl, thanks to her love of reading, and still has some of the ghost and crime stories she wrote back then. She occasionally reads them when she needs a good laugh.

After completing a degree in Creative Writing & Philosophy, Wendy is now both an indie author (of a dark YA novel which was longlisted for the Mslexia Novel Competition) and a traditionally published author, with several short stories published in UK and US anthologies.

‘Who Cares if they Die’ is her debut novel, published by Ruby Fiction, and Wendy is currently writing the next in the series. They are set in the US and follow Officer Dean Matheson and his mission to become a homicide detective.

Wendy is a member of the Crime Writers’ Association and the Society of Authors.

When not writing, she wastes her time on Twitter, complaining about not having enough time to write.

Social Media Links  

Twitter

Facebook

Goodreads

~~~

full tour banner

, , , , , ,

Leave a comment

#Review “A Fatal Obsession” by James Hayman

A Fatal Obession by James Hayman

~~~

5/5 Stars!

Three young women reported missing—two already found murdered—and now promising starlet, Zoe McCabe is missing. Is she the fourth victim of the killer the media has dubbed the Star-Struck Strangler?

Will it make any difference that Zoe’s uncle is Detective Sergeant Michael McCabe, formerly of NYPD but now a cop in Portland, Maine?

Will Mike’s distinguished career with NYPD that ended under questionable circumstances bar him from helping with his niece’s kidnapping?

You must read the book to find these answers, and trust me, you want to read this book!

A late-night call from big brother, Bobby, brings Mike back to NYC. A nasty fall and early on-set pneumonia will take their elderly mother, Rose McCabe, from them. Mike returns with his partner (and brand new fiancée), Margaret ‘Maggie’ Savage, to say goodbye. They discover Zoe’s abduction after Bobby cannot reach her to let her know about Rose.

It’s cops against the clock to find Zoe before the killer works through his usual M.O. leaving a dead body in his wake.

A Fatal Obsession is a tightly written police procedural. Mike reconnects with old friends and alliances just as new lines are drawn in the sand. However, even with some rivalries still uneasy despite the passage of time, there’s only a hint of cops-behaving-badly—although two attorneys are way too full of themselves.

Told in multiple POVs, the reader gets to watch the investigation unfold and get inside the head of kidnapper, Tyler Bradshaw.

Bradshaw is no choir boy but even as he plays the role of kidnapper, murderer, bully, and forced paramour, it’s hard not to feel sympathy for him, if only just a little. He’s not everything he seems and before the story’s end, the depth of his true pain is revealed.

But it’s Zoe McCabe who wins favorite character honors from me.

She’s living a young woman’s worst nightmare—drugged, kidnapped, assaulted, beaten—yet, she keeps her wits about her. The young actress will play a variety of roles to get inside Tyler’s head searching for a connection… or weakness, and a way to escape.

Zoe has every reason to be weepy and hopeless. Tyler holds the power of life and death over her but she will not make it easy for him. Kudos to the author for such a strong female character who’s anything but a victim.

This is the first book I’ve read by this author but it will not be the last. Mike McCabe and Maggie Savage have other stories to tell, and yes, I’ve already downloaded one. But, you should grab this one—it’s a great place to start!

Enjoy!

Paperback version reviewed.

~~~

Synopsis:

A Fatal Obession by James Hayman

“James Hayman’s edgy, ingenious novels rival the best of Lisa Gardner, Jeffery Deaver, and Kathy Reichs. A Fatal Obsession is his finest to date: a ferocious live-wire thriller starring two of the most appealing cops in contemporary fiction.” —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window

Zoe McCabe is a beautiful young actress on the verge of stardom who has been basking in the standing ovations and rave reviews she’s been getting from critics and fans alike for her portrayal of Desdemona in an off-Broadway production of Othello. As she takes her final bows, Zoe has no idea that, seated in the audience, a man has been studying her night after night, performance after performance. A man whose carefully crafted plans are for the young actress to take a starring role in a far deadlier production he has created just for her.

Portland, Maine detectives Mike McCabe and Maggie Savage are settling into the new rhythm of their relationship when McCabe gets a late night call from his brother Bobby that Zoe, McCabe’s favorite niece and Bobby’s daughter, has suddenly disappeared. The NYPD is certain Zoe’s abduction is the work of the man the tabloids have dubbed “The Star Struck Strangler,” a killer who has been kidnapping, abusing and finally strangling one beautiful young performer after another. Bobby begs McCabe to return to the New York City crime beat he’d left behind so many years ago, to work his old connections, and to help find Zoe before her time runs out. The stakes for McCabe and Savage have never been higher. Or more personal. And suddenly the race is on to stop a vicious attacker, before the McCabe family is torn apart beyond repair.

 

Book Details

Genre: Mystery, Thriller
Published by: Witness Impulse
Publication Date: Aug. 21, 2018
Number of Pages: 432
ISBN: 9780062876676
Series: McCabe and Savage Thrillers #6
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Read an excerpt:

Prologue

The worst thing about the rage was its randomness. Tyler Bradshaw never knew what might trigger one. A tone of voice. A look. An innocent or perhaps a not so innocent remark. Tonight he could feel it starting to build just seconds after he’d begun walking down the center aisle of the small McArthur/Weinstein Community Theater on Manhattan’s Lower East Side.

Having attended all eleven previous performances in this limited-run production of Othello, Tyler knew exactly where he wanted to sit for tonight’s finale. The same seat he’d occupied for every performance so far. The same seat he was going to sit in tonight no matter what. A12. On the aisle. Front row. Right-hand side. By far the best seat in the house in terms of offering him the most intimate view of the death of Zoe McCabe, the young actress cast in the role of Desdemona.

This would be Tyler’s last chance to watch the woman he wanted so desperately, the woman who’d been haunting his dreams for months, meet death at the hands of Randall Carter, the well known black actor who was playing Othello the Moor. And if all went according to plan, this closing night would become opening night for a much more intimate relationship.

But Tyler had taken only a few steps down the aisle when he was stopped short by the sight of some son of a bitch sitting in his seat. The theater was practically empty, and some asshole had actually had the nerve to plant his butt in the seat Tyler claimed as his own. He stood for a few seconds watching the guy as the anger grew. Some skinny twerp with a shaved head and black-framed hipster glasses leaning over and talking to the woman next to him as if unaware of his transgression. Tyler barely managed to suppress an urge to run down the nearly empty aisle to the first row, pull the guy up by his ears and kick the shit out of him right then and there.

Take it easy, Tyler told himself. Don’t start a fight. Don’t cause a scene. Don’t get your ass thrown out of here. Do that and you’ll miss Zoe’s final death scene, and you really don’t want to do that. Still, when something he so desperately wanted was denied him, when something he considered rightfully his was withheld or taken away, Tyler found it nearly impossible to suppress the anger filling his brain. But he knew he had to try. Taking a deep breath, he managed to walk at a measured pace the rest of the way down the aisle. He stopped and stood directly in front of the guy in A12. He looked down. “Sorry, buddy,” he said in a voice filled with no more than a hint of threat, “you and your girlfriend are gonna have to move. This seat’s taken.”

“I beg your pardon,” the guy said in what Tyler thought was a condescending tone. Tyler hated it when people condescended to him. New York was full of them. It was one of the reasons he really didn’t like spending time in the city even though he’d been born here. Even though he still kept an apartment here. Even though he’d worked three years at his uncle’s fancy Wall Street law firm. That job had gone down the crapper the day Tyler totally lost it when one of the other associates had condescended to him. Told Tyler in front of like ten other people that the only reason the firm had hired Tyler was because his uncle happened to be managing partner. Tyler reacted by slugging the guy right then and there in front of six other lawyers. Knocked the bastard flat on his ass. Then followed up with a kick to the gut. A deliciously satisfying kick even though it marked the end of his legal career. The only reason Tyler hadn’t been charged with assault was that his uncle convinced the other guy his own career would go much better if he simply forgot about the whole thing. Tyler still got pissed off when he thought about that asshole.

“You heard me,” Tyler said to the guy who’d taken his seat, making sure he kept his voice quiet and controlled. “You’re sitting in my seat. This has been my seat for the last two weeks. The entire run. And it will continue to be my seat for tonight. That means it’s time for you to tell me how sorry you are and get up and move.”

Condescension changed to huffiness. “I don’t know who you think you are but there’s no reserved seating in this theater. We took these seats first. That means they’re ours. There’s plenty of empty seats all over the place. Just take one of those and leave us the hell alone.”

“This is my seat and you are going to have to move.”

For exactly twenty-three seconds the guy said nothing. Tyler knew it was twenty-three without having to consult his watch. It was this brain thing he’d had ever since the so-called accident. He always knew precisely to the second what time it was and precisely how much time was passing. Just as he knew how many steps it would take to get from one place to another without having to think about it. It hadn’t always been that way. Just since his old man had tossed him headfirst into the shallow end of the swimming pool at their country place when he was fourteen and he’d bashed his head against the concrete. That’s when the rage problems started as well.

For the entire time, the guy just sat where he was and looked up at Tyler. Maybe he was debating whether to challenge someone who, at six foot three and two hundred and twenty pounds, was way the hell bigger than he was.

Tyler was getting closer to hoisting the guy out of the seat and tossing his skinny little ass out into the aisle. Which would have ruined everything. Thankfully, one second before he would have done just that, the guy’s wife or girlfriend or whatever she was, broke the impasse.

“Come on, Richard,” she said. “Let’s move. I don’t like being this close to the stage anyway.”

“I oughtta call the police,” said Richard.

“Call whoever the fuck you want, Richard. Just get your ass out of my seat.”

“Richard. Please,” said the woman. “This guy’s unhinged.”

“Yeah, Richard, I’m unhinged,” said Tyler, putting as much menace in his voice as he could.

“And if you want to know the truth, I’m getting more fucking unhinged by the second.”

The woman rose, took Richard’s hand and pulled. “Please,” she said.

The guy finally stood. No doubt relieved not to have to confront someone as big and angry-looking as Tyler. But, Tyler figured, also ashamed that he lacked the cojones to stand up to the bully who’d shamed him in front of his girlfriend. A lot of people responded to Tyler that way. He usually enjoyed it when they did. He especially liked it when people backed down and did exactly what he told them to. Which was most of the time. Most people were too chicken-shit to stand up for themselves.

Tonight was no different. The guy named Richard picked up a canvas messenger bag from the floor and let the woman lead him across to the other side of the small auditorium, where they found seats a couple of rows back. Tyler watched them go. Neither looked back at him. Neither noticed the small, satisfied smile he threw at them. Confrontations that ended like this and the adrenaline rush that came with them always made him feel better.

Before sitting down, Tyler unzipped his backpack, pulled a pair of latex gloves from the package he’d put in there, and put them on. Then he took out a packet of antibacterial wet wipes and used three of them to wipe down the seat, the backrest and the arms before easing his large frame down into seat A12. His seat. That done, he closed his eyes and focused on breathing deeply in and out. Pictured the rage that had come from the confrontation slowly dripping out of him, drop by drop, like water from a leaky faucet. That’s what Dr. Steinman, the therapist he started seeing a year after the swimming pool incident, had taught him to do when he felt this way. He watched the drops falling . . . exactly one drop per second . . . and knew without counting that one hundred and forty-four drops had fallen before he’d totally emptied himself of the anger and felt calm enough to open his eyes.

Tyler had another twenty-one minutes and twelve seconds to wait before scheduled curtain time. Maybe even more minutes and seconds before the curtain actually went up, because they never seemed to get the timing right. To pass the time he popped a couple of sticks of Juicy Fruit gum in his mouth and started chewing. Then he pulled a week-old copy of the New York Daily News from his backpack and unfolded it. He stared for what had to be the hundredth time at the banner headline, the big black letters seeming to leap out at him from the front page. StarStruck Strangler Strikes Again. He wondered if that was just one headline or if that was the nickname they were going to give the killer. He wondered if the name would stick. Tyler thought about it. Star-Struck Strangler wasn’t nearly as interesting as, say, Son of Sam. Though it was, he supposed, equally alliterative. Both had multiple S’s, which had always been one of Tyler’s favorite letters. He repeated the headline to himself. Star-Struck Strangler Strikes Again. Four ST words in a row. Tyler preferred S words when they were followed by L’s. Words like slasher. Slimy. Sleazy. Slippery. Slinky. Slick. Slutty. Yes, SL words were much better than ST words. His favorite SL word, slithy, wasn’t a real word at all. Just something made up by Lewis Carroll. ‘Twas brillig, and the slithy toves / Did gyre and gimble in the wabe. Wonderful creepy-crawly sounds.

Beneath the headline that dominated the front page was a subhead set in slightly smaller black type. It read, Missing Ballerina Found Murdered on Beach. No alliteration there unless you counted the M’s in Missing and Murdered and the B’s in Ballerina and Beach, and Tyler didn’t think that really counted. Tucked next to the headline and subhead was a color photo of an attractive young blonde, her hair pulled back in a bun, smiling at the camera. A happy smile, he thought, for a woman who’d turned up dead over a week ago. Tyler flipped open the tabloid and read full the story once again:

Friday, October 2, 2015. The body of 21-year-old Sarah Jacobs, a dancer with the New York City Ballet who had been reported missing two weeks earlier on September 15, was discovered late last night lying in a shallow, sandy grave on a stretch of beach in Sherwood Island State Park., The beach is located on the Long Island Sound in the affluent suburb of Westport, Connecticut.

Investigators say Ms. Jacobs’s body was discovered at approximately six a.m. by Westport resident Edward Todd. Todd told police he was walking his dog on the beach as he does every morning, when the dog raced ahead and started sniffing at something in the sand. When Mr. Todd was close enough to see it was the remains of a human body, he immediately dialed 911 on his mobile phone and informed Westport police, who arrived moments later. After identifying the body, Westport detectives notified the NYPD, which had been searching for Ms. Jacobs since her disappearance.

The victim, Sarah Jacobs, was a well-regarded dancer who was considered a rising star with the New York City Ballet. According to police sources, the victim’s body, when found, was wearing a black leotard and black ballet slippers, an outfit identical to the one she wore on stage during her last performance at Lincoln Center on September 12, three days prior to her disappearance. Her hair was also arranged identically to the way it had been during the performance.

Ms. Jacobs was the daughter of prominent Broadway producer Frederick Jacobs and Chelsea art dealer Marjorie Hanscomb Jacobs. Both parents refused to comment on the discovery of their daughter’s body. André Komar, the company’s ballet master, told reporters, “Sarah was an exceptionally gifted young dancer with a bright future ahead of her. All of us who knew and worked with her here at the New York City Ballet are grieving along with her parents. This is a real tragedy and we will all miss her enormously.”

Assistant New York City Medical Examiner Dr. Peter Weisman told reporters the apparent cause of death was strangulation. He also said the body was badly bruised and there were clear signs that Ms. Jacobs had been sexually assaulted prior to death. Her body is scheduled to be autopsied by the Office of the Chief Medical Examiner to determine, among other things, time of death and if strangulation was indeed the cause.

The victim has been the subject of an intense New York Police Department manhunt ever since her disappearance. She was last seen leaving a private party at the Museum of Modern Art in Manhattan on the evening of September 15th. Her father told reporters she left the party early after complaining of feeling “queasy” and said that she was going to take a cab home to her Greenwich Village apartment.

Ms. Jacobs is the third young member of New York’s performing arts community to have disappeared from Manhattan since the beginning of the year. The body of an earlier victim, Ronda Wingfield, 28, an actress who appeared frequently in musical productions in Manhattan and elsewhere, was discovered last May 19th in a wooded section of Manhattan’s Highbridge Park.

A third performer, actress Marzena Wolski, who also lived in Manhattan and who, for the last two years, had a starring role in the TV crime drama Malicious, was reported missing September 28th. Police have reportedly found no clues as to Ms. Wolski’s whereabouts.

When asked if police believed the three kidnappings and two confirmed deaths were the work of a serial killer, the NYPD’s chief of detectives, Charles Pryor, told reporters, “While we can’t be absolutely sure at this point in the investigation, given the obvious similarities in the choice of victims, all of whom performed on television or on stage, as well as similarities in the cause and manner of death of the two victims found so far, we are fairly certain that that is the case.” Pryor added, “There are currently no suspects but we are hopeful that the discovery of Ms. Jacobs’s remains will provide some relevant leads.”

Tyler reread the article a couple of times even though he already knew it pretty much by heart, as he did just about everything else that had been published about the kidnappings and murders. He then turned back and examined the front-page photo of Sarah Jacobs. With her long, narrow face, Sarah wasn’t really all that pretty. At least not compared to Zoe McCabe. For Tyler Bradshaw, there was no one who could compare to Zoe.

Tyler finally returned the paper to his backpack, relaxed in his seat and waited patiently until the curtain rose, and Roderigo and Iago entered a bare-bones version of a sixteenth-century Venetian street. Tyler watched the beginning of the play with minimal interest. It wasn’t Iago or Roderigo he’d come for. Tyler’s only reason to sit through this part of the play over and over again was to make sure he got the right seat to feel the closeness of the woman he so desperately wanted. His gaze never strayed from her from the moment she first came on stage in Act I, Scene III, until she was finally done to death in Act V, Scene II, bloodlessly smothered by the actor who played the title role. When the play got to that point, Tyler whispered Desdemona’s last words to himself, doing his best to mimic the way Zoe spoke them.

That death’s unnatural that kills for loving.

Alas, why gnaw you so your nether lip?

Tyler sometimes practiced gnawing his nether lip when Zoe said the lines. She was right. It didn’t seem natural. Still, the most famous writer who ever lived had written it that way.

Some bloody passion shakes your very frame:
These are portents; but yet I hope, I hope
They do not point on me. . . .
A guiltless death I die.
Oh yes, my love, he whispered to himself, a guiltless death you die. But not too soon I hope. For I’m quite sure I want you with me for a much longer time than the Star-Struck Strangler had allowed either of the others.

And then, when it came time, he mouthed the famous lines spoken by the Moor.

When you shall these unlucky deeds relate,
Speak of me as I am; nothing extenuate,
Nor set down aught in malice: then must you speak
Of one that loved not wisely, but too well . . .

Tyler had fixated on these words since he’d watched the first performance two weeks ago, for he believed they precisely defined who he was. They were his lines because he believed that he too was one who loved not wisely but too well.

When the play finally ended and the curtain fell two hours, twenty-seven minutes and thirty seconds later, it was the third longest of the twelve performances he had attended. It irritated Tyler that the actors couldn’t do a better job of getting the timing right. Yes, in one performance, the actor playing Iago had even screwed up one of his lines and Othello had to ad-lib filler dialogue until Iago got his brain back on track. But that was the only time they had an excuse.

He let the irritation go when Zoe and the rest of the cast stepped in front of the curtain to take their bows. He stood with the audience and applauded as loudly as, if not more so than, anyone else in the theater. Took the overchewed ball of gum from his mouth and whistled loudly.

Of course, Tyler’s applause was only for Zoe. His gaze fixed only on her. Her dark and penetrating eyes. Her glorious smile. The slender perfection of her figure. At last, when the curtain calls were finally finished and the actors gone from the stage, Tyler slung his pack around one shoulder and walked out, once again practically the last to leave the theater. For the first time, his mind was finally and truly made up. He could wait no longer. He pulled a crushable Aussie outback hat from his backpack and put it on. Kind of goofy-looking, but what with all the damned surveillance cameras on the streets these days, the wide brim did a good job of hiding his face. And on a cold, drizzly night like this, it wouldn’t even attract much attention. Tyler left the theater by a side exit, crossed the street and stood in the shadows of a darkened computer repair shop, waiting for Zoe to emerge from the stage door dressed in her own street clothes.

When she finally walked out, she wasn’t alone. She was with Randall Carter, the big black dude who played Othello. They stood together on the sidewalk talking. Tyler felt rage once again building as they talked. Especially when Carter leaned down and kissed Zoe on the lips. Nothing passionate. Nothing sexy. But still. The woman Tyler considered his own kissing some hotshot Hollywood bastard? A black hotshot Hollywood bastard no less, which made it even harder to take. Tyler could barely keep his rage from roaring back, barely restrain himself from rushing across the street and kicking the shit out of Carter. While he stood there seething, a black Lincoln SUV pulled up. Randall Carter got in. Zoe waved. The car drove off. Zoe pulled up the hood on her rain jacket and started walking by herself along the street. Tyler watched and waited until she was a little ahead before following.

***

Excerpt from A Fatal Obsession by James Hayman. Copyright © 2018 by James Hayman. Reproduced with permission from Witness Impulse. All rights reserved.

~~~

Enter To Win:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Harper Collins/Witness Impulse and James Hayman. There will be 3 winners of one (1) copy of The Cutting by James Hayman (eBook). The giveaway begins on September 1, 2018 and runs through October 1, 2018. (FOR BOOKS Open to U.S. addresses only). Void where prohibited.

a Rafflecopter giveaway
https://widget-prime.rafflecopter.com/launch.js

, , , , , , ,

1 Comment

#BookTour “A Fatal Obsession” by James Hayman

on Tour  September  1 – 30, 2018

Synopsis:

A Fatal Obession by James Hayman

“James Hayman’s edgy, ingenious novels rival the best of Lisa Gardner, Jeffery Deaver, and Kathy Reichs. A Fatal Obsession is his finest to date: a ferocious live-wire thriller starring two of the most appealing cops in contemporary fiction.” —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window

Zoe McCabe is a beautiful young actress on the verge of stardom who has been basking in the standing ovations and rave reviews she’s been getting from critics and fans alike for her portrayal of Desdemona in an off-Broadway production of Othello. As she takes her final bows, Zoe has no idea that, seated in the audience, a man has been studying her night after night, performance after performance. A man whose carefully crafted plans are for the young actress to take a starring role in a far deadlier production he has created just for her.

Portland, Maine detectives Mike McCabe and Maggie Savage are settling into the new rhythm of their relationship when McCabe gets a late night call from his brother Bobby that Zoe, McCabe’s favorite niece and Bobby’s daughter, has suddenly disappeared. The NYPD is certain Zoe’s abduction is the work of the man the tabloids have dubbed “The Star Struck Strangler,” a killer who has been kidnapping, abusing and finally strangling one beautiful young performer after another. Bobby begs McCabe to return to the New York City crime beat he’d left behind so many years ago, to work his old connections, and to help find Zoe before her time runs out. The stakes for McCabe and Savage have never been higher. Or more personal. And suddenly the race is on to stop a vicious attacker, before the McCabe family is torn apart beyond repair.

 

Book Details:

Genre: Mystery, Thriller
Published by: Witness Impulse
Publication Date: Aug. 21, 2018
Number of Pages: 432
ISBN: 9780062876676
Series: McCabe and Savage Thrillers #6
Purchase Links: Amazon | Barnes & Noble | Goodreads

 

Read an excerpt:

Prologue

The worst thing about the rage was its randomness. Tyler Bradshaw never knew what might trigger one. A tone of voice. A look. An innocent or perhaps a not so innocent remark. Tonight he could feel it starting to build just seconds after he’d begun walking down the center aisle of the small McArthur/Weinstein Community Theater on Manhattan’s Lower East Side.

Having attended all eleven previous performances in this limited-run production of Othello, Tyler knew exactly where he wanted to sit for tonight’s finale. The same seat he’d occupied for every performance so far. The same seat he was going to sit in tonight no matter what. A12. On the aisle. Front row. Right-hand side. By far the best seat in the house in terms of offering him the most intimate view of the death of Zoe McCabe, the young actress cast in the role of Desdemona.

This would be Tyler’s last chance to watch the woman he wanted so desperately, the woman who’d been haunting his dreams for months, meet death at the hands of Randall Carter, the well known black actor who was playing Othello the Moor. And if all went according to plan, this closing night would become opening night for a much more intimate relationship.

But Tyler had taken only a few steps down the aisle when he was stopped short by the sight of some son of a bitch sitting in his seat. The theater was practically empty, and some asshole had actually had the nerve to plant his butt in the seat Tyler claimed as his own. He stood for a few seconds watching the guy as the anger grew. Some skinny twerp with a shaved head and black-framed hipster glasses leaning over and talking to the woman next to him as if unaware of his transgression. Tyler barely managed to suppress an urge to run down the nearly empty aisle to the first row, pull the guy up by his ears and kick the shit out of him right then and there.

Take it easy, Tyler told himself. Don’t start a fight. Don’t cause a scene. Don’t get your ass thrown out of here. Do that and you’ll miss Zoe’s final death scene, and you really don’t want to do that. Still, when something he so desperately wanted was denied him, when something he considered rightfully his was withheld or taken away, Tyler found it nearly impossible to suppress the anger filling his brain. But he knew he had to try. Taking a deep breath, he managed to walk at a measured pace the rest of the way down the aisle. He stopped and stood directly in front of the guy in A12. He looked down. “Sorry, buddy,” he said in a voice filled with no more than a hint of threat, “you and your girlfriend are gonna have to move. This seat’s taken.”

“I beg your pardon,” the guy said in what Tyler thought was a condescending tone. Tyler hated it when people condescended to him. New York was full of them. It was one of the reasons he really didn’t like spending time in the city even though he’d been born here. Even though he still kept an apartment here. Even though he’d worked three years at his uncle’s fancy Wall Street law firm. That job had gone down the crapper the day Tyler totally lost it when one of the other associates had condescended to him. Told Tyler in front of like ten other people that the only reason the firm had hired Tyler was because his uncle happened to be managing partner. Tyler reacted by slugging the guy right then and there in front of six other lawyers. Knocked the bastard flat on his ass. Then followed up with a kick to the gut. A deliciously satisfying kick even though it marked the end of his legal career. The only reason Tyler hadn’t been charged with assault was that his uncle convinced the other guy his own career would go much better if he simply forgot about the whole thing. Tyler still got pissed off when he thought about that asshole.

“You heard me,” Tyler said to the guy who’d taken his seat, making sure he kept his voice quiet and controlled. “You’re sitting in my seat. This has been my seat for the last two weeks. The entire run. And it will continue to be my seat for tonight. That means it’s time for you to tell me how sorry you are and get up and move.”

Condescension changed to huffiness. “I don’t know who you think you are but there’s no reserved seating in this theater. We took these seats first. That means they’re ours. There’s plenty of empty seats all over the place. Just take one of those and leave us the hell alone.”

“This is my seat and you are going to have to move.”

For exactly twenty-three seconds the guy said nothing. Tyler knew it was twenty-three without having to consult his watch. It was this brain thing he’d had ever since the so-called accident. He always knew precisely to the second what time it was and precisely how much time was passing. Just as he knew how many steps it would take to get from one place to another without having to think about it. It hadn’t always been that way. Just since his old man had tossed him headfirst into the shallow end of the swimming pool at their country place when he was fourteen and he’d bashed his head against the concrete. That’s when the rage problems started as well.

For the entire time, the guy just sat where he was and looked up at Tyler. Maybe he was debating whether to challenge someone who, at six foot three and two hundred and twenty pounds, was way the hell bigger than he was.

Tyler was getting closer to hoisting the guy out of the seat and tossing his skinny little ass out into the aisle. Which would have ruined everything. Thankfully, one second before he would have done just that, the guy’s wife or girlfriend or whatever she was, broke the impasse.

“Come on, Richard,” she said. “Let’s move. I don’t like being this close to the stage anyway.”

“I oughtta call the police,” said Richard.

“Call whoever the fuck you want, Richard. Just get your ass out of my seat.”

“Richard. Please,” said the woman. “This guy’s unhinged.”

“Yeah, Richard, I’m unhinged,” said Tyler, putting as much menace in his voice as he could.

“And if you want to know the truth, I’m getting more fucking unhinged by the second.”

The woman rose, took Richard’s hand and pulled. “Please,” she said.

The guy finally stood. No doubt relieved not to have to confront someone as big and angry-looking as Tyler. But, Tyler figured, also ashamed that he lacked the cojones to stand up to the bully who’d shamed him in front of his girlfriend. A lot of people responded to Tyler that way. He usually enjoyed it when they did. He especially liked it when people backed down and did exactly what he told them to. Which was most of the time. Most people were too chicken-shit to stand up for themselves.

Tonight was no different. The guy named Richard picked up a canvas messenger bag from the floor and let the woman lead him across to the other side of the small auditorium, where they found seats a couple of rows back. Tyler watched them go. Neither looked back at him. Neither noticed the small, satisfied smile he threw at them. Confrontations that ended like this and the adrenaline rush that came with them always made him feel better.

Before sitting down, Tyler unzipped his backpack, pulled a pair of latex gloves from the package he’d put in there, and put them on. Then he took out a packet of antibacterial wet wipes and used three of them to wipe down the seat, the backrest and the arms before easing his large frame down into seat A12. His seat. That done, he closed his eyes and focused on breathing deeply in and out. Pictured the rage that had come from the confrontation slowly dripping out of him, drop by drop, like water from a leaky faucet. That’s what Dr. Steinman, the therapist he started seeing a year after the swimming pool incident, had taught him to do when he felt this way. He watched the drops falling . . . exactly one drop per second . . . and knew without counting that one hundred and forty-four drops had fallen before he’d totally emptied himself of the anger and felt calm enough to open his eyes.

Tyler had another twenty-one minutes and twelve seconds to wait before scheduled curtain time. Maybe even more minutes and seconds before the curtain actually went up, because they never seemed to get the timing right. To pass the time he popped a couple of sticks of Juicy Fruit gum in his mouth and started chewing. Then he pulled a week-old copy of the New York Daily News from his backpack and unfolded it. He stared for what had to be the hundredth time at the banner headline, the big black letters seeming to leap out at him from the front page. StarStruck Strangler Strikes Again. He wondered if that was just one headline or if that was the nickname they were going to give the killer. He wondered if the name would stick. Tyler thought about it. Star-Struck Strangler wasn’t nearly as interesting as, say, Son of Sam. Though it was, he supposed, equally alliterative. Both had multiple S’s, which had always been one of Tyler’s favorite letters. He repeated the headline to himself. Star-Struck Strangler Strikes Again. Four ST words in a row. Tyler preferred S words when they were followed by L’s. Words like slasher. Slimy. Sleazy. Slippery. Slinky. Slick. Slutty. Yes, SL words were much better than ST words. His favorite SL word, slithy, wasn’t a real word at all. Just something made up by Lewis Carroll. ‘Twas brillig, and the slithy toves / Did gyre and gimble in the wabe. Wonderful creepy-crawly sounds.

Beneath the headline that dominated the front page was a subhead set in slightly smaller black type. It read, Missing Ballerina Found Murdered on Beach. No alliteration there unless you counted the M’s in Missing and Murdered and the B’s in Ballerina and Beach, and Tyler didn’t think that really counted. Tucked next to the headline and subhead was a color photo of an attractive young blonde, her hair pulled back in a bun, smiling at the camera. A happy smile, he thought, for a woman who’d turned up dead over a week ago. Tyler flipped open the tabloid and read full the story once again:

Friday, October 2, 2015. The body of 21-year-old Sarah Jacobs, a dancer with the New York City Ballet who had been reported missing two weeks earlier on September 15, was discovered late last night lying in a shallow, sandy grave on a stretch of beach in Sherwood Island State Park., The beach is located on the Long Island Sound in the affluent suburb of Westport, Connecticut.

Investigators say Ms. Jacobs’s body was discovered at approximately six a.m. by Westport resident Edward Todd. Todd told police he was walking his dog on the beach as he does every morning, when the dog raced ahead and started sniffing at something in the sand. When Mr. Todd was close enough to see it was the remains of a human body, he immediately dialed 911 on his mobile phone and informed Westport police, who arrived moments later. After identifying the body, Westport detectives notified the NYPD, which had been searching for Ms. Jacobs since her disappearance.

The victim, Sarah Jacobs, was a well-regarded dancer who was considered a rising star with the New York City Ballet. According to police sources, the victim’s body, when found, was wearing a black leotard and black ballet slippers, an outfit identical to the one she wore on stage during her last performance at Lincoln Center on September 12, three days prior to her disappearance. Her hair was also arranged identically to the way it had been during the performance.

Ms. Jacobs was the daughter of prominent Broadway producer Frederick Jacobs and Chelsea art dealer Marjorie Hanscomb Jacobs. Both parents refused to comment on the discovery of their daughter’s body. André Komar, the company’s ballet master, told reporters, “Sarah was an exceptionally gifted young dancer with a bright future ahead of her. All of us who knew and worked with her here at the New York City Ballet are grieving along with her parents. This is a real tragedy and we will all miss her enormously.”

Assistant New York City Medical Examiner Dr. Peter Weisman told reporters the apparent cause of death was strangulation. He also said the body was badly bruised and there were clear signs that Ms. Jacobs had been sexually assaulted prior to death. Her body is scheduled to be autopsied by the Office of the Chief Medical Examiner to determine, among other things, time of death and if strangulation was indeed the cause.

The victim has been the subject of an intense New York Police Department manhunt ever since her disappearance. She was last seen leaving a private party at the Museum of Modern Art in Manhattan on the evening of September 15th. Her father told reporters she left the party early after complaining of feeling “queasy” and said that she was going to take a cab home to her Greenwich Village apartment.

Ms. Jacobs is the third young member of New York’s performing arts community to have disappeared from Manhattan since the beginning of the year. The body of an earlier victim, Ronda Wingfield, 28, an actress who appeared frequently in musical productions in Manhattan and elsewhere, was discovered last May 19th in a wooded section of Manhattan’s Highbridge Park.

A third performer, actress Marzena Wolski, who also lived in Manhattan and who, for the last two years, had a starring role in the TV crime drama Malicious, was reported missing September 28th. Police have reportedly found no clues as to Ms. Wolski’s whereabouts.

When asked if police believed the three kidnappings and two confirmed deaths were the work of a serial killer, the NYPD’s chief of detectives, Charles Pryor, told reporters, “While we can’t be absolutely sure at this point in the investigation, given the obvious similarities in the choice of victims, all of whom performed on television or on stage, as well as similarities in the cause and manner of death of the two victims found so far, we are fairly certain that that is the case.” Pryor added, “There are currently no suspects but we are hopeful that the discovery of Ms. Jacobs’s remains will provide some relevant leads.”

Tyler reread the article a couple of times even though he already knew it pretty much by heart, as he did just about everything else that had been published about the kidnappings and murders. He then turned back and examined the front-page photo of Sarah Jacobs. With her long, narrow face, Sarah wasn’t really all that pretty. At least not compared to Zoe McCabe. For Tyler Bradshaw, there was no one who could compare to Zoe.

Tyler finally returned the paper to his backpack, relaxed in his seat and waited patiently until the curtain rose, and Roderigo and Iago entered a bare-bones version of a sixteenth-century Venetian street. Tyler watched the beginning of the play with minimal interest. It wasn’t Iago or Roderigo he’d come for. Tyler’s only reason to sit through this part of the play over and over again was to make sure he got the right seat to feel the closeness of the woman he so desperately wanted. His gaze never strayed from her from the moment she first came on stage in Act I, Scene III, until she was finally done to death in Act V, Scene II, bloodlessly smothered by the actor who played the title role. When the play got to that point, Tyler whispered Desdemona’s last words to himself, doing his best to mimic the way Zoe spoke them.

That death’s unnatural that kills for loving.

Alas, why gnaw you so your nether lip?

Tyler sometimes practiced gnawing his nether lip when Zoe said the lines. She was right. It didn’t seem natural. Still, the most famous writer who ever lived had written it that way.

Some bloody passion shakes your very frame:
These are portents; but yet I hope, I hope
They do not point on me. . . .
A guiltless death I die.
Oh yes, my love, he whispered to himself, a guiltless death you die. But not too soon I hope. For I’m quite sure I want you with me for a much longer time than the Star-Struck Strangler had allowed either of the others.

And then, when it came time, he mouthed the famous lines spoken by the Moor.

When you shall these unlucky deeds relate,
Speak of me as I am; nothing extenuate,
Nor set down aught in malice: then must you speak
Of one that loved not wisely, but too well . . .

Tyler had fixated on these words since he’d watched the first performance two weeks ago, for he believed they precisely defined who he was. They were his lines because he believed that he too was one who loved not wisely but too well.

When the play finally ended and the curtain fell two hours, twenty-seven minutes and thirty seconds later, it was the third longest of the twelve performances he had attended. It irritated Tyler that the actors couldn’t do a better job of getting the timing right. Yes, in one performance, the actor playing Iago had even screwed up one of his lines and Othello had to ad-lib filler dialogue until Iago got his brain back on track. But that was the only time they had an excuse.

He let the irritation go when Zoe and the rest of the cast stepped in front of the curtain to take their bows. He stood with the audience and applauded as loudly as, if not more so than, anyone else in the theater. Took the overchewed ball of gum from his mouth and whistled loudly.

Of course, Tyler’s applause was only for Zoe. His gaze fixed only on her. Her dark and penetrating eyes. Her glorious smile. The slender perfection of her figure. At last, when the curtain calls were finally finished and the actors gone from the stage, Tyler slung his pack around one shoulder and walked out, once again practically the last to leave the theater. For the first time, his mind was finally and truly made up. He could wait no longer. He pulled a crushable Aussie outback hat from his backpack and put it on. Kind of goofy-looking, but what with all the damned surveillance cameras on the streets these days, the wide brim did a good job of hiding his face. And on a cold, drizzly night like this, it wouldn’t even attract much attention. Tyler left the theater by a side exit, crossed the street and stood in the shadows of a darkened computer repair shop, waiting for Zoe to emerge from the stage door dressed in her own street clothes.

When she finally walked out, she wasn’t alone. She was with Randall Carter, the big black dude who played Othello. They stood together on the sidewalk talking. Tyler felt rage once again building as they talked. Especially when Carter leaned down and kissed Zoe on the lips. Nothing passionate. Nothing sexy. But still. The woman Tyler considered his own kissing some hotshot Hollywood bastard? A black hotshot Hollywood bastard no less, which made it even harder to take. Tyler could barely keep his rage from roaring back, barely restrain himself from rushing across the street and kicking the shit out of Carter. While he stood there seething, a black Lincoln SUV pulled up. Randall Carter got in. Zoe waved. The car drove off. Zoe pulled up the hood on her rain jacket and started walking by herself along the street. Tyler watched and waited until she was a little ahead before following.

***

Excerpt from A Fatal Obsession by James Hayman. Copyright © 2018 by James Hayman. Reproduced with permission from Witness Impulse. All rights reserved.

 

Author Bio:

James Hayman
JAMES HAYMAN, formerly creative director at one of New York’s largest advertising agencies, is the author of the acclaimed McCabe and Savage Thriller series: The Cutting, The Chill of Night, Darkness First, The Girl in the Glass, The Girl on The Bridge, and A Fatal Obsession.

Catch Up With James Hayman On:
jameshaymanthrillers.com, Goodreads, Twitter, & Facebook!

 

Tour Participants:

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

https://www.linkytools.com/basic_linky_include.aspx?id=286904

 

Enter To Win:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Harper Collins/Witness Impulse and James Hayman. There will be 3 winners of one (1) copy of The Cutting by James Hayman (eBook). The giveaway begins on September 1, 2018 and runs through October 1, 2018. (FOR BOOKS Open to U.S. addresses only). Void where prohibited.

a Rafflecopter giveaway
https://widget-prime.rafflecopter.com/launch.js

Get More Great Reads at Partners In Crime Virtual Book Tours

, , , , , , ,

Leave a comment